J. B. Supino’s startling views in the chronology of Giotto, expressed in _Giotto_, Florence, 1920, in 3 Vols., seem to me fantastic. His general order is the Allegories of the Lower Church and the Baroncelli altar-piece about 1300, the Arena frescoes 1305, the St. Francis series in the Upper Church about 1310, the Peruzzi Chapel about 1312, etc. My list would be: The Early Part of the St. Francis Series (II-XVIII) before 1300 The Mosaic of the Navicella (completely restored) about 1300 Stigmatization of St. Francis (Louvre) „ „ The Arena Frescoes about 1305 The Madonna of Ognissanti „ „ The Franciscan Allegories, Lower Church (design only) „ 1312–20 The Stefaneschi Altar-piece (in part) „ 1320, perhaps earlier The Peruzzi Chapel, Santa Croce after 1320 The Bardi Chapel, „ „ about 1325 The Dormition of the Virgin, at Berlin „ 1325 Madonna, Ancona, Bologna (design only) „ 1330 The Paradise in the Bargello after 1330 Part of the Magdalen Legends there „ „ Part of the Magdalen Legends, Lower Church, Assisi „ „ Baroncelli Altar-piece (design only) „ „ Small panels of the Life of Christ at New York, Fenway Court, Boston; „ „ Munich and Berenson Collection, „ „ Settignano (bottega works) „ „ Footnote 8: Padre Angelis, _Collis Paradisi_, 1704, I, p. 33. Footnote 9: About the 28 stories of St. Francis there is no agreement except that Nos. I and XXVI-VIII are by the “Cecelia Master.” Venturi sees Giotto only in the later stories. I agree with Berenson that the ruder frescoes, II-XVIII, which are based on the so-called Roman work above show us Giotto at his beginnings. For the various views consult Brown and Rankin, _A Short History_, pp. 48–9, 59, 61. Footnote 10: Alex. Romdahl’s attempt to set the upper row many years later than the rest is entirely unconvincing to me. See _Jahrbuch der K. Preussischen Kunstsammlungen_, 1911, pp. 3–18. Footnote 11: John Ruskin, _Mornings in Florence_, _passim_. Footnote 12: _Giotto’s Followers._ Osvald Sirén, _Giotto and Some of his Followers_, see note 7, may be freely consulted for illustrations and very cautiously for attributions. Footnote 13: