_Later Works_: St. Peter Preaching (fresco, possibly earlier). Brancacci Chapel. Birth of St. John (salver). Kaiser Friedrich Museum, Berlin. Polyptych for the Carmine, Pisa, 1426. The Madonna, some small pilaster pieces, and a small rondel with bust of God Father. National Gallery, London. Three predella panels (largely school work) and some small pilaster pieces. Kaiser Friedrich Museum, Berlin. Crucifixion central pinnacle. Naples Museum. A Saint (upper order). Civic Museum, Pisa. A Saint (upper order). Lanckoronski, Vienna. The Trinity (fresco). S. Maria Novella, Florence. All the remaining frescoes of the Brancacci Chapel save the parts and panels now universally assigned to Filippino Lippi. Footnote 36: Schmarsow, _Masaccio Studien_, bd. 3. p. 27, 8. Footnote 37: _Andrea del Castagno_, see the important articles by Herbert P. Horne in the _Burlington Magazine_, Vol. VII, 1905. Richard Offner, in _Art in America_, Vol. VII, pp. 227–35, first published the admirable portrait in Mr. Morgan’s Library, New York. A magnificent tournament shield with the figure of a David is in the Widener Collection, Elkins Park, Penna., and was first published by Guido Cagnola in _Rassegna d’ Arte_, Vol. XIII (1913), p. 49. Andrea worked at Venice in 1442. See G. Fiocca, _Burlington Magazine_, Vol. XL, p. 11. Footnote 38: _Alesso Baldovinetti._ See E. Londi, _Alesso Baldovinetti_, Firenze, 1907. CHAPTER IV.—FRA FILIPPO LIPPI AND THE NEW NARRATIVE STYLE Footnote 39: _Fra Filippo Lippi._ Edward C. Strutt, _Fra Filippo Lippi_, London, 1906. Vasari’s _Life_ is capital. Robert Browning’s poem, in _Men and Women_, an admirable side-light. Footnote 40: _Benozzo Gozzoli._ I accept Col. G. F. Young’s date for these frescoes. See _The Medici_, New York, 1909, Vol. I., Chapter vii, where there is a good analysis of this decoration. Footnote 41: _Antonio Pollaiuolo._ Maud Crutwell’s _Antonio Pollaiuolo_, London and New York, 1907. For later information consult Venturi, _Storia_, Vol. VII, pt. I, pp. 558–578. Footnote 42: _Piero della Francesca._ W. G. Waters, _Piero della Francesca_, London, 1901; and Corrado Ricci’s superbly illustrated folio, _Piero della Francesca_, Rome, 1910. Footnote 43: _Early Frescoes of the Sistine Chapel._ Magnificently reproduced in the album accompanying Ernst Steinmann’s _Die Sixtinische Cappelle_, Munich, 1901. Footnote 44: _Francesco Pesellino._ Consult Dr. W. Weisbach’s able and beautifully illustrated work, _Francesco Pesellino und die Romantik der Frührenaissance_, Berlin, 1901. For cuts of _Cassoni_, Paul Schubring, _Cassoni_, Leipzig, 1915, and the books and articles already cited in note 6 to Chapter 3. Footnote 45: