Little literature of a general sort is available to the English speaking reader. Crowe and Cavalcaselle, _A History of Painting in Northern Italy_, admirably edited by Tancred Borenius, in three volumes, London, 1913, is the chief repository of facts. Evelyn March Phillipps, _The Venetian School of Painting_, London, 1912, is an excellent brief survey. For readers of Italian Lionello Venturi’s _Le Origini della Pittura Veneziana_, Venice, 1911, is the best book. A treasure house of materials in Laudadeo Testi’s two volumes, _La Storia della Pittura Veneziana_, Bergamo. John Ruskin’s masterpiece, _Stones of Venice_, may be consulted with profit and delight. There are treasures of antiquarian information in Pompeo Molmenti, _La Storia di Venezia nella Vita Privata_, 3 vols., Bergamo, 1905. Footnote 71: _Jacopo Bellini._ The extraordinary and fascinating sketch books are published in two forms, by Corrado Ricci, _Jacopo Bellini e i suo libri di designi_, 2 vols., Florence, 1908, and by V. Goloubew, _Les Dessins de Jacopo Bellini_, Bruxelles, 1908. Footnote 72: G. McNeill Rushforth, _Carlo Crivelli_, London, 1900. Footnote 73: _Andrea Mantegna._ The standard work is by Paul Kristeller, _Andrea Mantegna_, London and New York, 1901. Maud Crutwell’s short biography, _Andrea Mantegna_, London, 1901, is excellent. Mr. Berenson’s subtle analysis in _North Italian Painters of the Renaissance_ perhaps overstresses Andrea’s defects. Mantegna’s complete works are reproduced in _Klassiker der Kunst_, No. XVI, Stuttgart, 1910. Footnote 74: _Antonello da Messina._ See L. Venturi, _Le Origini_, and A. Venturi, _Storia_, VII, pt. 4. Recent attributions, Bernard Berenson, _Study and Criticism of Italian Art_, 3rd Series, London, 1916, p. 79 _ff._ Footnote 75: _Giovanni Bellini._ Nothing notable in English except casual criticism by Ruskin and Roger E. Fry’s admirable little book, _Giovanni Bellini_, London, 1899, which is unfortunately out of print. For such as read German—Georg Gronau, _Die Künstler-familie Bellini_, Leipzig, 1907, with abundant illustrations. Recently discovered pictures and a better chronology, in Bernard Berenson: _Venetian Painting in America_, New York, 1916. Footnote 76: _Vettor Carpaccio._ Ludwig and Molmenti’s _The Life and Works of Victor Carpaccio_, London, 1907, gives, aside from its main topic, a vivid picture of the cultural condition of Venice about 1500. See my essay review of it in _The Nation_, Vol. 86, (1908) pp. 315 _ff._ John Ruskin’s delightful comments on Carpaccio are mostly in the _Guide to the Academy_ at Venice and in _St. Mark’s Rest_, chapter _The Shrine of the Slaves_, Library ed. Vol. XXIV. Footnote 77: