And spears shall split and fruit go flying up
In merry counterchange for wreaths that drop
From balconies and casements far above;
And tender damsels with young men and youths
Shall kiss together on the cheeks and mouths
And every day be glad with joyful love.”
HOW VENUS FARED IN SIENA
Ghiberti, in his commentaries (ed. Frey, Berlin 1886, p. 57 ff.) tells
how a marble Venus, bearing the name of Lysippus was dug up at Siena.
“I saw it only as drawn by a very great painter of the city of Siena,
who was called Ambrogio Lorenzetti. This drawing was kept with
greatest care by a very old Carthusian. This brother was a goldsmith,
and his father, and was a designer and delighted greatly in the art of
sculpture; and he began to tell me how that statue was discovered as
they were making an excavation where now are the houses of the
Malavolti; how all those instructed and versed in the art of
sculpture, with the goldsmiths and painters ran to see this so
marvellous and artistic statue. Every one praised it greatly, and also
the great painters who then were in Siena—to every one it seemed
absolutely perfect. And with all honors they set it upon their
fountain, as a most splendid thing. All gathered to place it with
greatest rejoicing and honor and they fixed it magnificently upon that
fountain, which statue reigned there but passingly.”
“For as the city had many adversities in the war with the Florentines,
and the flower of the citizenry were assembled in council, a citizen
rose and spoke about the statue in this tenor: ‘Gentlemen and
citizens, having considered that since we have found this statue it
has always gone wrong with us, and considering that idolatry is
forbidden by our faith, we must believe of all the adversities which
we have that God sends them for our errors. And behold in truth that
since we have honored this statue we have always gone from bad to
worse. I am certain that so long as we keep it in our territory it
will always go wrong with us. As a councillor I would advise that it
be taken down and shattered and split up and be sent to be buried on
the soil of the Florentines.’
“Unanimously they confirmed the words of their citizen and put them in
execution, and the statue was buried upon our soil.”
A PROCESSION ON THE COMPLETION OF DUCCIO’S MAJESTY
Public-domain text, read in full here on John Shaqi.
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