A History of Literary Criticism in the Renaissance: With special reference to the influence of Italy in the formation and development of modern classicismSpingarn, Joel Elias
Philosophy
A History of Literary Criticism in the Renaissance: With special reference to the influence of Italy in the formation and development of modern classicism
Spingarn, Joel Elias
Criticism; Renaissance
The first reaction against this paganization of culture was, as has been
seen, effected by Savonarola. This reaction was reenforced, in the next
century, by the influence and authority of the Council of Trent; and
after the middle of the sixteenth century the Christian ideal plays a
prominent part in literary criticism. The spirit of both Giraldi Cintio
and Minturno is distinctly Christian. For Giraldi the _romanzi_ are
Christian, and hence superior to the classical epics. He allows the
introduction of pagan deities only into epics dealing with the ancient
classical subjects; but Tasso goes further, and says that no modern
heroic poet should have anything to do with them. According to Tasso,
the heroes of an heroic poem must be Christian knights, and the poem
itself must deal with a true, not a false, religion. The subject is not
to be connected with any article of Christian faith or dogma, because
that was fixed by the Council of Trent; but paganism in any form is
altogether unfit for a modern epic. Tasso even goes so far as to assert
that piety shall be numbered among the virtues of the knightly heroes of
epic poetry. At the same time also, Lorenzo Gambara wrote his work, _De
Perfecta Poeseos Ratione_, to prove that it is essential for every poet
to exclude from his poems, not only everything that is wicked or
obscene, but also everything that is fabulous or that deals with pagan
divinities.[302] It was to this religious reaction that we owe the
Christian poetry of Tasso, Du Bartas, and Spenser. But humanism was
strong, and rationalism was rife; and the religious revival was hardly
more than temporary. Neo-classicism throughout Europe was essentially
pagan.
III. _Modern Elements_
The literature of the Middle Ages constitutes, as it were, one vast body
of European literature; only with the Renaissance did distinctly
national literatures spring into existence. Nationalism as well as
individualism was subsequent to the Renaissance; and it was at this
period that the growth of a national literature, of national life,--in a
word, patriotism in its widest sense,--was first effected.
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