A History of Magic and Experimental Science, Volume 1 (of 2): During the First Thirteen Centuries of Our EraThorndike, Lynn
Religion
A History of Magic and Experimental Science, Volume 1 (of 2): During the First Thirteen Centuries of Our Era
Thorndike, Lynn
Magic -- History; Science -- History
The attitude of Vitruvius towards other architects of his own age,
to past authorities, and to personal experimentation is of interest
to note, and roughly parallels the attitude of Galen in the field of
medicine. Like Galen he complains that the artist must plunge into
the social life of the day in order to gain professional success and
recognition.[866] “And since I observe that the unlearned rather than
the learned are held in high favor, deeming it beneath me to struggle
for honors with the unlearned, I will rather demonstrate the virtue
of our science by this publication.”[867] He also objects to the
self-assertion and advertising of themselves in which many architects
of his time indulge.[868] He recognizes, however, that the state of
affairs was much the same in time past, since he tells a story how the
Macedonian architect, Dinocrates, forced himself upon the attention of
Alexander the Great solely by his handsome and stately appearance,[869]
and since he asserts that the most famous artists of the past owe their
celebrity to their good fortune in working for great states or men,
while other artists of equal merit are seldom heard of.[870] He also
speaks of those who plagiarize the writings of others, especially of
the men of the past.[871] But all this does not lead him to despair of
art and learning; rather it confirms him in the conviction that they
alone are really worth while, and he quotes several philosophers to
that effect, including the saying of Theophrastus that “the learned man
alone of all others is no stranger even in foreign lands ... but is a
citizen in every city.”[872]
[Sidenote: Authorities and inventions.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account