The chief, if not the only, objection to dating the _Metamorphoses_ before the _Apology_ is that nothing is said of it in the latter.[1008] But obviously Apuleius, when on trial for magic, would not mention the _Metamorphoses_ unless his accusers forced him to do so. They may not have yet heard of it or it may at first have been published anonymously, although the probability is that Apuleius would not have spent three years at Oea without bringing it to his admirers’ attention. Or they may know of it, but the judge may not have admitted it as evidence on the ground that they must prove that Apuleius has practiced magic. The _Metamorphoses_ does not recount any personal participation of Apuleius himself in magic arts, unless one identifies him throughout with the hero Lucius; it purports to be a Latin rendition of Milesian tales[1009] and does not seem to have been taken very seriously until the church fathers began to cite it. Or the accusers may have dwelt upon it and Apuleius simply have failed to take notice of their charge. All these suppositions may not seem very plausible, but on the other hand we may ask, how would Apuleius dare to write a work like the _Metamorphoses_ after he had been accused and tried of magic? One would expect him then to drop the subject rather than to display an increasing interest in it. But let us turn to his treatment of that theme in both those works, and first consider the _Metamorphoses_. II. _Magic in the Metamorphoses_ [Sidenote: Powers claimed for magic.] Vast power over nature and spirits is attributed to magic and its practitioners in the opening chapters of the _Metamorphoses_. “By magic’s mutterings swift streams are reversed, the sea is calmed, the sun stopped, foam drawn from the moon, the stars torn from the sky, and day turned into night.”[1010] While such assertions are received with some scepticism by one listener, they are largely borne out by the subsequent experiences of the characters in the story and by the feats which witches are made to perform. These are sometimes humorously and extravagantly presented, but as crime and ferocious cruelty are treated in the same spirit, this light vein cannot be regarded as an admission of magic’s unreality. On the contrary, the magic of Thessaly is celebrated with one accord the world over.[1011] Meroë the witch can “displace the sky, elevate the earth, freeze fountains, melt mountains, raise ghosts, bring down the gods, extinguish the stars, and illuminate the bottomless pit.”[1012] Submerging the light of starry heaven to the lowest depths of hell is a power also attributed to the witch Pamphile.[1013] “By her marvelous secrets she makes ghosts and elements obey and serve her, disturbs the stars and coerces the divinities.”[1014] [Sidenote: Its actual performances.]