The main plot of the _Metamorphoses_ of Apuleius appears, shorn of the many additional stories, the religious mysticism, and the autobiographical element which characterize his narrative, in a brief and perhaps epitomized Greek version, entitled _Lucius_ or _The Ass_, among the works of Lucian of Samosata, the contemporary of Apuleius and noted satirist. The work is now commonly regarded as spurious, since the style seems different from that of Lucian and the Attic Greek less pure. The narrative, too, is bare, at least compared with the exuberant fancy of Apuleius, and seems to avoid the marvelous and romantic details in which he abounds. Photius, patriarch of Constantinople in the ninth century, who regarded the work as Lucian’s, said that he wrote in it as one deriding the extravagance of superstition. Whether this be true of _The Ass_ or not, it is true of other satires by Lucian of undisputed genuineness, in which he ridicules the impostures of the magic and pseudo-science of his day. In place of the genial humor and fantastic imagination with which his African contemporary credulously welcomed the magic and occult science of his time, the Syrian satirist probes the same with the cool mockery of his keen and sceptical wit. [Sidenote: Career of Lucian.] Lucian was born at Samosata near Antioch about 120 or 125 A. D. and after an unsuccessful beginning as a sculptor’s apprentice turned to literature and philosophy. He practiced in the law courts at Antioch for some time and also wrote speeches for others. For a considerable period of his life he roamed about the Mediterranean world from Paphlagonia to Gaul as a rhetorician, and like Apuleius resided both at Athens and Rome. After forty he ceased teaching rhetoric and devoted himself to literary production, living at Athens. Towards the close of his life, “when he already had one foot in Charon’s boat,”[1279] he was holding a well paid and important legal position in Egypt. His death occurred perhaps about 200 A. D. Some ascribe it to gout, probably because he wrote two satires on that disease. Suidas states that Lucian was torn to pieces by dogs as a punishment for his attacks upon Christianity, which again is probably a perversion of Lucian’s own statement in _Peregrinus_ that he narrowly escaped being torn to pieces by the Cynics. [Sidenote: _Alexander the pseudo-prophet._]