A History of Magic and Experimental Science, Volume 1 (of 2): During the First Thirteen Centuries of Our EraThorndike, Lynn
Religion
A History of Magic and Experimental Science, Volume 1 (of 2): During the First Thirteen Centuries of Our Era
Thorndike, Lynn
Magic -- History; Science -- History
It is on thunderbolts as portents of the future that Seneca dwells
longest, however.[491] “They give,” he declares, “not signs of this or
that event merely, but often announce a whole series of events destined
to occur, and that by manifest decrees and ones far clearer than if
they were set down in writing.”[492] He will not accept, however,
the theory that lightning has such great power that its intervention
nullifies any previous and contradictory portents. He insists that
divination by other methods is of equal truth, though possibly of
minor importance and significance. Next he attempts to explain how the
dangers of which we are warned by divination may be averted by prayer,
expiation, or sacrifice, and yet the chain of events wrought by destiny
not be broken. He maintains that just as we employ the services of
doctors to preserve our health, despite any belief we may have in fate,
so it is useful to consult a _haruspex_. Then he goes on to speak of
various classifications of thunderbolts according to the nature of the
warnings or encouragements which they bring.
[Sidenote: Ptolemy.]
We pass on from Seneca to a later and greater exponent of natural
science and divination, Ptolemy, in the following century. He was
perhaps born at Ptolemaïs in Egypt but lived at Alexandria. The exact
years of his birth and death are unknown, and very little is recorded
of his life or personality. The time when he flourished is sufficiently
indicated, however, by the fact that his first recorded astronomical
observation was in 127 and his last in 151 A. D. Thus most of his
work was probably done during the reigns of Hadrian and Antoninus
Pius, but he appears to have lived on into the reign of Marcus
Aurelius. His strictly scientific style scorns rhetorical devices and
literary felicities, and while it is clear and correct, is dry and
impersonal.[493]
[Sidenote: His two chief works.]
Public-domain text, read in full here on John Shaqi.
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