A History of Magic and Experimental Science, Volume 2 (of 2): During the First Thirteen Centuries of Our EraThorndike, Lynn
History
A History of Magic and Experimental Science, Volume 2 (of 2): During the First Thirteen Centuries of Our Era
Thorndike, Lynn
Magic -- History; Science -- History
Moreover, these same works are apparently still extant in manuscripts
in European libraries. The figure Almandal or Almandel and the rings
of Solomon are found in fifteenth century manuscripts at Florence
and Paris,[881] while in the Sloane collection of the British Museum
we find Solomon’s pentagon, the divine seal, the four rings, and the
nine candles, all in seventeenth century manuscripts.[882] In these
seventeenth century manuscripts also appear, and more than once, the
_Clavicula_ or Key of Solomon, in French, Italian, and English,[883]
the book by Solomon called _Cephar_ or _Saphar Raziel_,[884] and the
_Liber sacer_ or _sacratus_.[885] The last-named work, mentioned
at least twice in the thirteenth century by William of Auvergne,
who calls it “a cursed and execrable book,”[886] is also found in
manuscripts of the fourteenth or fifteenth century,[887] and we shall
presently consider it in particular as a specimen of the Pseudo-Solomon
literature and of medieval books of magic, theurgy, and necromancy.
[Sidenote: Notory art of Solomon and Apollonius.]
Let us first, however, note some other works ascribed to Solomon and
which have to do with the _Ars Notoria_, or Notory Art, which seeks
to gain knowledge from or communion with God by invocation of angels,
mystic figures, and magical prayers. We are told that the Creator
revealed this art through an angel to Solomon one night while he
was praying, and that by it one can in a short time acquire all the
liberal and mechanical arts.[888] There seems to be little difference
between the notory art of Solomon, that of Solomon, Machineus, and
Euclid,[889] and the _Golden Flowers_ of Apollonius,[890] in which
Solomon is mentioned almost every other sentence. Cecco d’Ascoli may
have had it in mind when he cited the _Book of Magic Art_ of Apollonius
and the _Angelic Faction_ of the same author.[891] In one manuscript
at the close of the _Golden Flowers_ of Apollonius are prayers which
one “brother John Monk” confesses he himself has composed in the years
1304-1307.[892] In a later manuscript we find his prayers described as
given to him by the blessed God and as “perfect science,” and they are
followed by “The Pauline art,” discovered by the Apostle Paul after
he had been snatched up to the third heaven, and delivered by him at
Corinth.[893] Other works of notory art are listed in the manuscript
catalogues without name of author.[894] But all alike are apt to
impress the present reader as unmeaning jumbles of diagrams and magic
words.[895] We shall sufficiently illustrate them all when we come
to speak of the _Liber sacratus_ which is itself in large measure
concerned with the Notory Art.
[Sidenote: Other works ascribed to Solomon and Apollonius.]
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