A History of Magic and Experimental Science, Volume 2 (of 2): During the First Thirteen Centuries of Our EraThorndike, Lynn
History
A History of Magic and Experimental Science, Volume 2 (of 2): During the First Thirteen Centuries of Our Era
Thorndike, Lynn
Magic -- History; Science -- History
“Scribit enim caelum stellis totumque figurat
Quod de fatali lege venire potest,
Praesignat qualique modo qualique tenore
Omnia sidereus saecula motus agat.
Praejacet in stellis series quam longior aetas
Explicet et spatiis temporis ordo suis:
Sceptra Phoronei, fratrum discordia Thebae,
Flammae Phaëthonis, Deucalionis aquae.
In stellis Codri paupertas, copia Croesi,
Incestus Paridis, Hippolytique pudor;
In stellis Priami species, audacia Turni,
Sensus Ulixeus, Herculeusque vigor.
In stellis pugil est Pollux, et navita Typhis,
Et Cicero rhetor, et geometra Thales;
In stellis lepidus dictat Maro, Milo figurat,
Fulgurat in latia nobilitate Nero.
Astra notat Persis, Aegyptus parturit artes,
Graecia docta legit, praelia Roma gerit.
Exemplar specimenque Dei virguncula Christum
Parturit, et verum saecula numen habent.”[289]
Yet Bernard urges man to model his life after the stars,[290] and once
speaks of “what is free in the will and what is of necessity.” He thus
appears, like the author of the treatise on fate ascribed to Plutarch,
like Boethius, and like a host of other theologians, philosophers, and
astrologers, to believe in the co-existence of free will, inevitable
fate, and “variable fortune.”[291]
[Sidenote: Plot of the _Mathematicus_.]
Bernard Silvester’s interest and faith in the art of astrology is
further exemplified by his poem _Mathematicus_, a narrative which
throughout assumes the truth of astrological prediction concerning
human fortune. Hauréau showed that it had been incorrectly included
among the works of Hildebert of Tours and Le Mans, and that the theme
is suggested in the fourth Pseudo-Quintillian declamation, but that
Bernard has added largely to the plot there briefly outlined. A Roman
knight and lady were in every respect well endowed both by nature and
fortune except that their marriage had up to the moment when the story
opens been a childless one. At last the wife consulted an astrologer
or _mathematicus_, “who could learn from the stars,” we are told, “the
intentions of the gods, the mind of the fates, and the plan of Jove,
and discover the hidden causes and secrets of nature.” He informed her
that she would bear a son who would become a great genius and the ruler
of Rome, but who would one day kill his father. When the wife told
her husband of this prediction, he made her promise to kill the child
in infancy. But when the time came, her mother love prevailed and she
secretly sent the boy away to be reared, while she assured her husband
that he was dead. She named her son _Patricida_ in order that he might
abhor the crime of patricide the more. The boy early gave signs of
great intellectual capacity. Among other studies he learned “the
orbits of the stars and how human fate is under the stars,” and he
“clasped divine Aristotle to his breast.” Later on, when Rome was hard
Public-domain text, read in full here on John Shaqi.
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