A History of North American Birds; Land Birds; Vol. 2 of 3Baird, Spencer Fullerton
Science
A History of North American Birds; Land Birds; Vol. 2 of 3
Baird, Spencer Fullerton
Birds -- North America
By the time these birds have reached, in their spring migrations, the
40th parallel of latitude, they no longer move in large flocks, but
have begun to separate into small parties, and finally into pairs. In
New England the Bobolink treats us to no such concerts as those
described by Audubon, where many voices join in creating their
peculiar jingling melody. When they first appear, usually after the
middle of May, they are in small parties, composed of either sex,
absorbed in their courtships and overflowing with song. When two or
three male Bobolinks, decked out in their gayest spring apparel, are
paying their attentions to the same drab-colored female, contrasting
so strikingly in her sober brown dress, their performances are quite
entertaining, each male endeavoring to outsing the other. The female
appears coy and retiring, keeping closely to the ground, but always
attended by the several aspirants for her affection. After a contest,
often quite exciting, the rivalries are adjusted, the rejected suitors
are driven off by their more fortunate competitor, and the happy pair
begin to put in order a new home. It is in these love-quarrels that
their song appears to the greatest advantage. They pour out
incessantly their strains of quaint but charming music, now on the
ground, now on the wing, now on the top of a fence, a low bush, or the
swaying stalk of a plant that bends with their weight. The great
length of their song, the immense number of short and variable notes
of which it is composed, the volubility and confused rapidity with
which they are poured forth, the eccentric breaks, in the midst of
which we detect the words “bob-o-link” so distinctly enunciated, unite
to form a general result to which we can find no parallel in any of
the musical performances of our other song-birds. It is at once a
unique and a charming production. Nuttall speaks of their song as
monotonous, which is neither true nor consistent with his own
description of it. To other ears they seem ever wonderfully full of
variety, pathos, and beauty.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account