These actors then (continues Mr. Disraeli), who were in the habit of
exercising their impromptus, resembled those who performed in the
unwritten comedies of the Italians. Gabriel Harvey, the Aristarchus of
the day, compliments Tarleton for having brought forward a _new species
of dramatic exhibition_. If this compliment paid to Tarleton merely
alludes to his dexterity at _extemporaneous wit_ in the character of the
_Clown_, as my friend Mr. Douce thinks, this would be sufficient to show
that he was attempting to introduce on our stage the Extemporal Comedy
of the Italians, which Gabriel Harvey distinguishes as "a new species."
As for these "Platts," which I shall not venture to call "Scenarios,"
they surprise by their bareness, conveying no notion of the piece
itself, though quite sufficient for the actors. They consist of mere
exits and entrances of the actors, and often the real names of the
actors are familiarly mixed with those of the _dramatis personae_.
Steevens has justly observed, however, on these skeletons, that although
"The drift of these dramatic pieces cannot be collected from the mere
outlines before us, yet we must not charge them with absurdity. Even the
scenes of Shakespeare would have worn as unpromising an aspect, had
their skeletons only been discovered." The printed _Scenarios_ of the
Italian theatre were not more intelligible; exhibiting only the _hints_
for scenes.
Thus, I think, we have sufficient evidence of an intercourse subsisting
between the English and Italian theatres, not hitherto suspected; and I
find an allusion to these Italian Pantomimes, by the great town-wit Tom
Nash, in his "Pierce Pennilesse," which shows that he was well
acquainted with their nature. He, indeed, exults over them, observing
that our plays are "honourable and full of gallant resolution, not
consisting, like theirs, of Pantaloon, a Zany, and a w---e (alluding to
the women actors of the Italian stage); but of emperors, kings, and
princes." My conviction is still confirmed, when I find that Stephen
Gosson wrote the comedy of "Captain Mario;" it has not been printed, but
"Captain Mario" is one of the Italian characters.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account