A History of Parliamentary Elections and Electioneering in the Old Days: Showing the State of Political Parties and Party Warfare at the Hustings and in the House of Commons from the Stuarts to Queen VictoriaGrego, Joseph
History
A History of Parliamentary Elections and Electioneering in the Old Days: Showing the State of Political Parties and Party Warfare at the Hustings and in the House of Commons from the Stuarts to Queen Victoria
Grego, Joseph
Great Britain -- Politics and government; Great Britain. Parliament -- Election
“The Bruiser, C. Churchill (once the Revd.!), in the character
of a Russian Hercules, regaling himself after having kill’d the
monster Caricatura that so sorely gall’d his virtuous friend,
the Heaven-born WILKES.
“‘But he had a Club this Dragon to drub,
Or he had ne’er don’t I warrant ye.’”
(_Dragon of Wantley._)
[Illustration: A BEAR-LEADER. HOGARTH, CHURCHHILL, AND WILKES.]
This plate was issued at 1_s._ _6d._, and seems to have gone through
various alterations and additions from first to last. On the palette
which first displayed the mystifying “line of beauty,” was substituted
two designs of a figurative nature--the one having reference to
Pitt, his resignation and annual pension, and his city supporters,
represented by the emblematic civic guardians, Gog and Magog; the
other a group further applying to the castigation of the designer’s
foes. Hogarth is armed with a triple whip, with which he is lustily
chastising a big dancing bear, Churchill, held bound and muzzled, as
not only the artist but the ministry and the Scotch faction would
have rejoiced to have effected; the Bruiser to the clerical ruffles
and bands has incongruously added the modish laced hat of a man about
town; the other end of the rope, by which Hogarth has secured the bear
through the muzzle, is fastened round an ape, intended to personify
Wilkes. This animal is wearing a wig exactly similar to that shown on
Wilkes’s head in the too-famous etching; the _North Briton_ is in his
left hand; the spear, topped with the inevitable cap of liberty, is
turned into a hobby-horse, to infer, according to Mr. F. G. Stephen’s
account, “that Wilkes used Liberty to get his own ends, which not more
than a child progresses on its ‘cock-horse’ did he really obtain.” The
face of the fiddling personage, who is making the music for this pretty
caper, is a featureless blank; he wears a ribbon of knighthood, and it
is understood that Earl Temple is the person intended.
Other uncomplimentary allusions to Wilkes and his proceedings appear
in the _Public Advertiser_, where is a woodcut of an execution, I.W.,
and M.P., with a “Toast”--“May loyalists walk easily in their Boots
[a reference to Lord Bute], and malcontents die like Wilks in their
shells.”
The notoriety of John Wilkes was much assisted by the ill-advised and
clumsy conduct of the ministry, which elected to make a martyr of the
man whose career proves him to have been but a sham patriot, and, who,
if unnoticed, was totally without weight or consequence. On April 30,
1763, Wilkes found himself, in spite of the Habeas Corpus granted by
the Common Pleas, conducted to the Tower on a warrant, signed by the
Earls of Egremont and Halifax as Privy Councillors and Secretaries of
State, authorizing the Constable of the Tower, the Right Hon. John Lord
Berkeley of Stratton,--
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account