A History of Roman Classical Literature.Browne, R. W. (Robert William)
History
A History of Roman Classical Literature.
Browne, R. W. (Robert William)
Latin literature -- History and criticism
On the way he was seized with a mortal sickness, which was aggravated by
the motion of the vessel, and he only lived to land at Brundisium. The
powers of nature, already enfeebled, were now totally exhausted, and he
expired on the 22nd of September. He was buried rather more than a mile
from Naples, on the road to Puteoli (Pozzuoli.) A tomb is still pointed
out to the traveller which is said to be that of the poet. Nor is this
improbable; for, although it is not situated on the present high-road,
it is quite possible that the original direction of the road may have
been changed.[542] His epitaph is said to have been dictated by himself
in his last moments:—
Mantua me genuit; Calabri rapuere; tenet nunc
Parthenope. Cecini Pascua, Rura, Duces.[543]
Virgil was deservedly popular both as a poet and as a man. His rivals in
literature could not envy one so unassuming and inoffensive his
well-merited success, but loved him as much as they admired his poetry.
The emperor esteemed him, the people respected him. “Witness,” says
Tacitus,[544] “the letters of Augustus,—witness the conduct of the
people itself, which, when some of his verses were recited in the
theatre, rose _en masse_, and showed the same veneration for Virgil, who
happened to be present among the audience, which they were wont to show
to Augustus.” He was exceedingly temperate in his manner of living; so
pure-minded[545] and chaste in the midst of a profligate and licentious
age, that the Neapolitans gave him the name of Parthenias (from
παρθενος, a virgin,) unselfish, although surrounded by selfishness,
kind-hearted, and sympathizing. His talents and popularity never spoiled
his natural simplicity and modesty, as his moving in the polite circles
of the capital never could entirely wear off his rustic shyness and
unfashionable appearance.
He was constitutionally pensive and melancholy, and so distrustful of
his own poems, that Augustus could not persuade him to send an
unfinished portion of the Æneid to him for perusal. “As to my Æneas,” he
writes to the emperor,[546] when absent on his Cantabrian campaign, “if
I had anything worth your reading I would send it with pleasure, but the
work is only just begun, and I even blame my folly for venturing upon so
vast a task. But you know that I shall apply fresh and increased
diligence to carrying out my design.” It was with real reluctance that
he subsequently read the sixth book to the Emperor and Octavia. In his
last moments he was anxious to burn the whole manuscript; and in his
will he directed his executors, Varius and Tucca, either to improve it
or commit it to the flames.[547] He was open-hearted and generous, but
not extravagant in the expenditure of his wealth, for he bequeathed to
his brother, his friends, and the Emperor, a considerable property.
Public-domain text, read in full here on John Shaqi.
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