A History of Roman Classical Literature.Browne, R. W. (Robert William)
History
A History of Roman Classical Literature.
Browne, R. W. (Robert William)
Latin literature -- History and criticism
He was born at Verona, and died in Asia, A. D. 16; and the passage
already quoted proves that he was older than Ovid.
His poem was a paraphrase or imitation of the Theriaca of Nicander—a
physician-poet, who flourished in Ætolia during the reign of Ptolemy
Epiphanes. Quintilian couples his name with that of Lucretius; and
awards him the praise of elegance, but adds that his style is deficient
in dignity.
CHAPTER VIII.
BIRTH AND EDUCATION OF OVID—HIS RHETORICAL POWERS—ANECDOTE RELATED BY
SENECA—HIS POETICAL GENIUS—SELF-INDULGENT
LIFE—POPULARITY—BANISHMENT—PLACE OF HIS EXILE—EPISTLES AND OTHER
WORKS—GRATIUS FALISCUS—PEDO ALBINOVANUS—AULUS SABINUS—MARCUS MANILIUS.
OVIDIUS NASO (BORN B. C. 43.)
Ovid, as he himself states,[732] was born at Sulmo (Sulmone,) a town of
the Peligni (Abruzzi,) ninety miles distant from Rome. The year of his
birth was that in which the consuls Hirtius and Pansa fell in the field
of Mutina (Modena.) His family was equestrian, and had been so for some
generations. His father lived to the age of ninety; and, as his mother
was then alive, it is probable that she also attained an advanced age.
He had a brother exactly twelve months older than himself. Their common
birthday was the first of the Quinquatria, or festival of Minerva (March
20th.)
Whilst still of tender age the two boys were sent to Rome for education,
and placed under the care of eminent instructors. The elder studied
eloquence, and was brought up to the bar: but he died at the early age
of twenty. Ovid himself also, for a time, studied rhetoric under
Arellius Fuscus and Porcius Latro, and the results of his study are
visible in his poems;[733] for example, in the speeches of Ajax and
Ulysses.[734]
Seneca has left an interesting account of his rhetorical powers.[735] “I
remember,” he says, “hearing Naso declaim, in the presence of Arellius
Fuscus, of whom he was a pupil; for he was an admirer of Latro, although
his style was different from his own. The style of Ovid could at that
time be termed nothing else but poetry in prose: still he was so
diligent as to transfer many of his sentiments into his verses. Latro
had said—
Mittamus arma in hostes, et petamus.
Naso wrote—
Arma viri fortis medios mittantur in hostes
Inde jubete peti.
He borrowed another idea from one of Latro’s Suasorian orations:—
Non vides uti immota fax torpeat et exagitata reddat ignes?
Ovid’s paraphrase of this illustration is—
Vidi ego jactatas mota face crescere flammas,
Et rursus, nullo concutiente, mori.
When he was a student he was thought to declaim well.”
Public-domain text, read in full here on John Shaqi.
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