A History of Roman Classical Literature.Browne, R. W. (Robert William)
History
A History of Roman Classical Literature.
Browne, R. W. (Robert William)
Latin literature -- History and criticism
There is no doubt that the comic, as well as the tragic poet of Greece,
considered himself as a public instructor; but it is difficult to say
how far the Roman author recognised a moral object, because it cannot be
determined what moral sentiments were designedly introduced, and what
were merely transcriptions from the original. It is plain, however, that
Roman comedy was calculated to produce a moral result, although the
morality which it inculcated was extremely low: its standard was merely
worldly prudence, its lessons utilitarian, its philosophy, like that of
Menander himself, Epicurean, and therefore it did not inculcate an
unbending sense of honour, the self-denying heroism of the Stoic school,
or that rigid Roman virtue which was akin to it—it contented itself with
encouraging the benevolent affections.
It did not profess to reform the knave, except by showing him that
knavery was not always successful. It taught that cunning must be met
with its own weapons, and that the qualities necessary for the conflict
were wit and sharpness. The union between the moral and the comic
element was exhibited in making intrigue successful wherever the victim
was deserving of it, and in representing him as foiled by accidents and
cross-purposes, because the prudence and caution of the knave are not
always on a par with his cunning. It also had its sentimental side, and
the sympathies of the audience were enlisted in favour of good temper,
affection, and generosity.
But the new Attic comedy presented a truthful portraiture of real native
life. This was scarcely ever the case with the Romans; the plots,
characters, localities, and political institutions, were all Greek, and
therefore it can only be said that the whole was in perfect harmony and
consistency with Roman modes of thinking and acting. The comedies of
Plautus probably, as will be seen hereafter, form the only exception.
It cannot be denied that there is a want of variety in the plots of
Roman comedy;[164] but this defect is owing to the political and social
condition of ancient Greece. Greece and the neighbouring countries were
divided into numerous independent states; its narrow seas were, even
more than they are now, infested with pirates, who had their nests and
lurking-places in the various unfrequented coasts and islands; and
slaves were an article of merchandise. Many a romantic incident
therefore occurred, such as is found in comedy. A child would be stolen,
sold as a slave, educated in all the accomplishments which would fit her
to be an _Hetæra_, engage the affections of some young Athenian, and
eventually, from some jewels or personal marks, be recognised by her
parents, and restored to the rank of an Athenian citizen.
Public-domain text, read in full here on John Shaqi.
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