A History of Roman Classical Literature.Browne, R. W. (Robert William)
History
A History of Roman Classical Literature.
Browne, R. W. (Robert William)
Latin literature -- History and criticism
XVIII. Stichus is the name of the slave on whom the intrigue of the play
which bears this name mainly depends. The plot is very simple. Two
brothers marry two sisters, and are ruined by extravagant living; they
determine therefore to go abroad and repair their fortunes. After they
have been many years absent the ladies’ father wishes them to marry
again. They, however, steadily refuse, and their constancy is rewarded
by the return of their husbands with large fortunes.
XIX. The Trinummus is a translation from the Thesaurus of the Greek
comic poet Philemon.[189] It derived its Latin title from the incident
of the informer being bribed with three _nummi_.[190] An old merchant on
leaving home places his son and daughter, together with a treasure which
he has buried in his house, under the guardianship of his friend
Callicles. The son squanders his father’s property, and is even forced
to sell his house, which Callicles purchases. Soon a young man of good
family and fortune makes proposals for the daughter’s hand, and
Callicles is at a loss to know how to give her a dowry without saying
something about the treasure. At length he hires a man to pretend that
he has come from the absent father, and has brought one thousand pieces
of gold. The return of the father interferes with the plan; but
everything is explained, the daughter is married, and the son forgiven.
XX. The Truculentus, although the moral picture which it presents is
detestable, is remarkably clever, both for the variety of incidents and
the graphic delineations of character which it contains. The artful
courtesan who dupes and ruins her lovers; the three lovers
themselves—one a man of the town, another an unpolished but generous
rustic, the third a stupid and conceited soldier; and, lastly, the
slave, whose rude sagacity and bluff hatred of courtesans expose him to
the imputation of being actually savage (truculentus,) are powerfully
drawn; but notwithstanding its merits, it is not a play which can
possibly please the tastes and sentiments of modern times.
Public-domain text, read in full here on John Shaqi.
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