[Sidenote: The Art of Love.] The _Art of Love_ is one of the most
immoral poems in existence. The first book gives instruction to young
men to aid them in finding and seducing desirable mistresses, the
second tells them how to keep the girls’ affection, and the third
instructs girls in the art of gaining lovers. The love of which Ovid
writes is mere sensual passion, not the union of souls, and his three
books of systematic instruction in the arts of seduction would be
utterly tedious were they not enlivened by some striking descriptive
passages and myths, as well as by sententious lines of worldly wisdom.
A remarkable passage in the first book[81] celebrates the praise of
Roman greatness and of Augustus, in order to lead up to the mention of
a triumphal procession; and this is mentioned, because in the crowd of
spectators the young man may scrape acquaintance with a girl. Of the
Roman women at the theatre, Ovid says:
_Spectatum veniunt, veniunt spectentur ut ipsæ,_
They come to see, and to be seen themselves,
and many other lines show keen observation, knowledge of humanity, and
no little humor; but, in spite of these beauties of detail, the poem
is, as a whole, so uninteresting that its immorality has probably done
little harm.
[Sidenote: The Cure of Love.] The _Cure of Love_ offers various means
for freeing oneself from the bonds of passion. Activity and travel are
recommended; the lover who longs for freedom is advised to consider
the faults of his mistress, and the expense she causes him; he is told
to make her show her faults; is urged to fall in love with another,
to avoid reminders of the beloved when she is absent, and to shun
poetry, music, and the dance. All this is uninteresting enough; but
this poem, like the _Ars Amatoria_, contains many fine details. The
_Remedia Amoris_ is the last of Ovid’s poems on the subject of love.
From beginning to end his love poems show the greatest ease and fluency
of expression, superb mastery of technique, much imagination, wit, and
humor, but an almost absolute lack of real feeling and serious purpose.
Public-domain text, read in full here on John Shaqi.
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