criminal is merged in an exalting and inspiring contempt. Yet the man thus attuned to passion was, what every great orator must be, a painful student of the most delicate of arts. The language of the successful demagogue seldom becomes the study of the schools; yet so it was with Gracchus. The orators of a later age, whose critical appreciation was purer than their practice, could find no better guide to the aspirant for forensic fame than the speeches of the turbulent tribune. Cicero dwells on the fulness and richness of his flow of words, the grandeur and dignity of the expression, the acuteness of the thought.[572] They seemed to some to lack the finishing touch;[573] which is equivalent to saying that with him oratory had not degenerated into rhetoric. The few fragments that survive awaken our wonder, first for their marvellous simplicity and clearness: then, for the dexterous perfection of their form. The balance of the rhythmic clauses never obscures or overloads the sense. Gracchus could tell a tale, like that of the cruel wrongs inflicted on the allies, which could arouse a thrill of horror without also awakening the reflection that the speaker was a man of great sensibility and had a wonderful command of commiserative terminology. He could ask the crowd where he should fly, whether to the Capitol dripping with a brother's blood, or to the home where the widowed mother sat in misery and tears;[574] and no one thought that this was a mere figure of speech. It all seemed real, because Gracchus was a true artist as well as a true man, and knew by an unerring instinct when to pause. This type of objective oratory, with its simple and vivid pictures, its brilliant but never laboured wit, its capacity for producing the illusion that the man is revealed in the utterance, its suggestion of something deeper than that which the mere words convey--a suggestion which all feel but only the learned understand--is equally pleasing to the trained and the unlettered mind. The polished weapon, which dazzled the eyes of the crowd, was viewed with respect even by the cultured nobles against whom it was directed.