A History of Sanskrit LiteratureMacdonell, Arthur Anthony
History
A History of Sanskrit Literature
Macdonell, Arthur Anthony
Sanskrit literature -- History and criticism
The chief of the blessed dead is Yama, to whom three entire hymns
are addressed. He is spoken of as a king who rules the departed and
as a gatherer of the people, who gives the deceased a resting-place
and prepares an abode for him. Yama it was who first discovered the
way to the other world:--
Him who along the mighty heights departed,
Him who searched and spied out the path for many,
Son of Vivasvat, gatherer of the people,
Yama the king, with sacrifices worship. (x. 14, 1).
Though death is the path of Yama, and he must consequently have been
regarded with a certain amount of fear, he is not yet in the Rigveda,
as in the Atharvaveda and the later mythology, a god of death. The
owl and pigeon are occasionally mentioned as emissaries of Yama, but
his regular messengers are two dogs which guard the path trodden by
the dead proceeding to the other world.
With reference to them the deceased man is thus addressed in one of
the funeral hymns (x. 14):--
Run on thy path straight forward past the two dogs,
The sons of Sarama, four-eyed and brindled,
Draw near thereafter to the bounteous fathers,
Who revel on in company with Yama.
Broad-nosed and brown, the messengers of Yama,
Greedy of lives, wander among the people:
May they give back to us a life auspicious
Here and to-day, that we may see the sunlight.
The name of Yama is sometimes used in the Rigveda in its primary
sense of "twin," and the chief of the dead actually occurs in this
character throughout a hymn (x. 10) of much poetic beauty, consisting
of a dialogue between him and his sister Yami. She endeavours to win
his love, but he repels her advances with these words:--
The spies sent by the gods here ever wander,
They stand not still, nor close their eyes in slumber:
Another man thine arms shall clasp, O Yami,
Tightly as twines around the tree the creeper.
The incestuous union which forms the main theme of the poem, though
rejected as contrary to the higher ethical standard of the Rigveda,
was doubtless the survival of an already existing myth of the descent
of mankind from primeval "twins." This myth, indeed, seems to have
been handed down from the Indo-Iranian period, for the later Avestan
literature makes mention of Yimeh as a sister of Yima. Even the name
of Yama's father goes back to that period, for Yima is the son of
Vivanhvant in the Avesta as Yama is of Vivasvat in the Rigveda.
Public-domain text, read in full here on John Shaqi.
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