Painted dedicatory statues from Acropolis, 12-13 Superiority over Dorian School, 22-24 Effects of Persian invasion, 25, 28 Parthenon, 27-33 Decline of Empire, 44-49 “Athens, the school of Hellas,” 47, 48 Ceramicus at, 54-55 Growth of individualism in, 53-56 Women in, 58-60, 110-112 Historical circumstances (362-338 B.C.), 66-68 Influence upon Alexandrian Empire, 84, 85 In Hellenistic times, 101-102, 114 Plundered by Sulla, 119 Visited by Roman Republicans, 118 Rebuilt, by Hadrian, 137, 138 Athens Museum, 12, 13, 103 “Athlete struggling with Python,” by Leighton, 281, 287, 288, 293 Athletic statuary Influence upon Hellenic art, 14-24, 169 In fourth century, 67-69 Attalus I., 91 Augustus Cæsar, 124, 131 Augustan Rome last Hellenistic centre, 127 “Organiser of Roman Imperialism,” 124, 125, 129, 130 Statue of, in Vatican, 125, 127, 128 Ara Pacis of, 130 Aurelius, Marcus Equestrian statue of, 139 German invasion under, 139 Austrian ascendency in Italy, 200, 218 Autobiography of Cellini, 203, 204, 205-209, 228-229 Avila, Convent of St. Joseph, 217 Babou de la Bourdaisière, 225 Babylonia, 7, 11, 35, 266 Baily, E. H., 284 Banks, Thomas, 284 Baptistery at Florence, 162, 199, 275 Barbara, St., 297 Barberini Maffeo, 214 Bargello, 173, 210 Baroco style. _Also see_ Bernini, 216 Barye, 265, 267, 301 “Centaur and Lapith,” 266 Bates, Harry, 288, 290, 302 “Pandora,” 300 Baudelaire, 275 Bayeaux, 148 Bedford, Duke of, 259 Belgian school, 237, 292, 293 Bellini, Giovanni, 184 “Belvedere Apollo.” _See_ Apollo Bentivoglio, 181 Berlin Museum, 92 Bernini and the Catholic reaction, 198, 200, 212-218 Rebuilds St. Peter’s, 214 “St. Teresa,” by, 216-217 “Apollo and Daphne,” by, 218 Fountains by, 218 Visit to France, 235 Influence upon Puget, 237 “Birth of Venus,” by Botticelli, 196 Boehm, Sir Edgar, 294 Boethus of Chalcedon, 115 Bologna, 181 Bologna, Giovanni, 198, 200, 203, 218 “Mercury,” by, 210 “Rape of Sabine Women,” by, 211 Influence upon French School, 211 Characteristics of his art, 210-212 Bontemps, 227 Borghese, Pauline, 249-250 Borgia, Cæsar, 200 Borgia, Francis, 215 Boscoreale, 115 Botticelli, 184, 187, 196, 222, 232 Boucher, 243 Bourges, 148, 150 “Boy strangling Goose,” 115 Brennus, 106 British Museum, 77, 230, 258 British school, 256-262, 280-302 Northern art, characteristics of, 221-224 Italian influence in sixteenth century, 256-257 Historical circumstances during seventeenth and eighteenth centuries,257, 258 Society of Dilettanti, 258-260 Pseudo-Greek canon, effects of, 260-262, 281, 293 Mid-Victorian, 283-285