There was the solitary stroller, the _bululú_, tramping from village to village, declaiming short plays to small audiences, called together by the sacristan, the barber, and the parish priest, who—_pidiendo limosna en un sombrero_—passed round the hat, and sped the vagabond with a slice of bread and a cup of broth. A pair of strollers (such as Rojas himself and his colleague Ríos) was styled a _ñaque_, and did no more than spout simple _entremeses_ in the open. The _cangarilla_ was on a larger scale, numbering three or four actors, who gave Timoneda's _Oveja Perdida_, or some comic piece wherein a boy played the woman's part. Five men and a woman made up the _carambaleo_, which performed in farmhouses for such small wages as a loaf of bread, a bunch of grapes, a stew of cabbage; but higher fees were asked in larger villages—six _maravedís_, a piece of sausage, a roll of flax, and what not. Though "a spider could carry" its properties, says Rojas, yet the _carambaleo_ contrived to fill the bill with a set piece, or two _autos_, or four _entremeses_. More pretentious was the _garnacha_, with its six men, its "leading lady," and a boy who played the _ingénue_. With four set plays, three _autos_, and three _entremeses_ it would draw a whole village for a week. A large choice of pieces was within the means of the seven men, two women, and a boy that made up the _bojiganga_, which journeyed from town to town on horseback. Next in rank came the _farándula_, the stepping-stone to the lofty _compañía_ of sixteen players, with fourteen "supers," capable of producing fifty pieces at short notice. To such a troupe, no doubt, belonged the Toledan Naharro, famous as an interpreter of the bully, and as the foremost of Spanish stage-managers. "He still further enriched theatrical adornment, substituting chests and trunks for the costume-bag. Into the body of the house he brought the musicians, who had hitherto sung behind the blanket. He did away with the false beards which till then actors had always worn, and he made all play without a make-up, save those who performed old men's parts, or such characters as implied a change of appearance. He introduced machinery, clouds, thunder, lightning, duels, and battles; but this reached not the perfection of our day."