A History of Spanish LiteratureFitzmaurice-Kelly, James
History
A History of Spanish Literature
Fitzmaurice-Kelly, James
Spanish literature -- History and criticism
Lope de Vega is the greatest of Spanish dramatists; Calderón is amongst
those who most nearly approach him. Lope incarnates the genius of a
nation; Calderón expresses the genius of an age. He is a Spaniard to
the marrow, but a Spaniard of the seventeenth century—a courtier
with a turn for _culteranismo_, averse from the picaresque contrasts
which lend variety to Lope's scene and to Tirso's. His interpretation
of existence is so idealised that his stage becomes in some sort the
apotheosis of his century. His characters are not so much men and
women, as allegorical types of men and women as Calderón conceived
them. It is not real life that he reveals, for he regarded realism as
ignoble and unclean: he offers in its place a brilliant pageant of
abstract emotions. He is not a universal dramatist: he ranks with the
greatest writers for the Spanish stage, inasmuch as he is the greatest
poet using the dramatic form. And, leaving aside his anachronisms and
jumblings of mythology, he is a scrupulous artist, careful of his
literary form and of his construction. The finished execution of his
best passages is so irresistible that FitzGerald declared Isabel's
characteristic speech in the _Alcalde de Zalamea_ to be "worthy of the
Greek Antigone":—"Oh, never, never might the light of day arise and
show me to myself in my shame! O fleeting morning star, mightest thou
never yield to the dawn that even now presses on thine azure skirts!
And thou, great Orb of all, do thou stay down in the cold ocean foam;
let Night for once advance her trembling empire into thine! For once
assert thy voluntary power to hear and pity human misery and prayer,
nor hasten up to proclaim the vilest deed that Heaven, in revenge on
man, has written on his guilty annals. Alas! even as I speak, thou
liftest thy bright, inexorable face above the hills." Contrast with
this impassioned lament (a little toned down in FitzGerald's version)
the aphoristic wisdom of Pedro Crespo's counsel to his son in the same
play:—"Thou com'st of honourable if of humble stock; bear both in
mind, so as neither to be daunted from trying to rise, nor puffed up so
as to be sure to fall. How many have done away the memory of a defect
by carrying themselves modestly, while others, again, have gotten a
blemish only by being too proud of being born without one. There is a
just humility that will maintain thine own dignity, and yet make thee
insensible to many a rub that galls the proud spirit. Be courteous in
thy manner, and liberal of thy purse; for 'tis the hand to the bonnet,
and in the pocket, that makes friends in this world, of which to gain
one good, all the gold the sun breeds in India, or the universal sea
sucks down, were a cheap purchase. Speak no evil of women; I tell thee
the meanest of them deserves our respect; for of women do we not all
come? Quarrel with no one but with good cause.... I trust in God to
live to see thee home again with honour and advancement on thy back."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account