A History of Spanish LiteratureFitzmaurice-Kelly, James
History
A History of Spanish Literature
Fitzmaurice-Kelly, James
Spanish literature -- History and criticism
His contemporary, the Catalan, MANUEL DE CABANYES (1808-1833), died
too young to reveal the full measure of his powers, and his _Preludios
de mi lira_ (1833), though warmly praised by Torres Amat, Joaquín Roca
y Cornet, and other critics of insight, can scarcely be said to have
won appreciation. Cabanyes is essentially a poet's poet, inspired
mainly by Luis de León. His felicities are those of the accomplished
student, the expert in technicalities, the almost impeccable artist
whose hendecasyllabics, _Á Cintio_, rival those of Leopardi in their
perfect form and intense pessimism; but as his life was too brief, so
his production is too frugal and too exquisite for the general, and he
is rated by his promise rather than by his actual achievement. Milá y
Fontanals and Sr. Menéndez y Pelayo have striven to spread Cabanyes'
good report, and they have so far succeeded that his genius is now
admitted on all hands; but his chill perfection makes no appeal to the
mass of his countrymen.
Espronceda's direct successor was JOSÉ ZORRILLA (1817-1893), whose
life's story may be read in his own _Recuerdos del tiempo viejo_
(Old-time Memories). It was his misfortune to be concerned in politics,
for which he was unfitted, and to be pinched by continuous poverty,
which drove him in 1855 to seek his fortune in Mexico, whence he
returned empty-handed in 1866. His closing years were somewhat happier,
inasmuch as a pension of 30,000 _reales_, obtained at last by strenuous
parliamentary effort, freed him from the pressure of actual want. It
may be that it came too late, and that Zorrilla's work suffers from
his straitened circumstances; but this is difficult to believe. He
might have produced less, might have escaped the hopeless hack-work
to which he was compelled; but a finished artist he could never have
become, for, by instinct as by preference, he was an improvisatore. The
tale that (like Arthur Pendennis) he wrote verses to fit engravings
is possibly an invention; but the inventor at least knew his man, for
nothing is more intrinsically probable.
Public-domain text, read in full here on John Shaqi.
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