A History of Story-telling: Studies in the development of narrativeRansome, Arthur
History
A History of Story-telling: Studies in the development of narrative
Ransome, Arthur
Fiction -- History and criticism; Narration (Rhetoric); Storytelling -- History
Now there are few harder tasks for a man of overflowing physical energy
than this, of covering innumerable sheets of paper with wriggling
unnatural lines traced with the end of a pen. It is likely to become
a torment; the feet cross and uncross, the fingers itch, the inkpot
flies across the room, and the energy defeats itself. There is the
legend of Scott's hand, covering sheet after sheet so swiftly and
with such regularity that it was painful to watch it; but Scott's was
not the bomb-like brute energy of Balzac. Balzac, to give life to
his scientific ideas, needed a more fiery vitality than Scott's, who
began and ended with merely human notions. The actual writing of his
books was proportionately more difficult for him. There was no mere
eccentricity in his habit of getting the sketches for his books set up
in type, and enlarging them from proofs in the middle of large sheets
of paper, covering the vast margins with the additions that were to
make the books themselves. It was a wise attempt to give himself the
same physical outlet as that enjoyed by the painter or sculptor, to
give himself something to pull about, something actual, something that
could be attacked, anything rather than the terrible silkworm spinning
of a single endless fibre. His energy would have been wasted in a
hundred ways unless, so far as was possible, he had fitted his work
to himself and himself to his work. Giant of concentration as he was,
he added cubits to his stature by taking thought. He made his writing
hours different from every one else's, wore a white frock something
like a monk's habit, and found in the drinking of enormous quantities
of coffee a stimulant as much theatrical as medicinal. These things
meant much to him, and his use of them was an action similar to that
of Poe's schoolboy, who, when guessing odd or even the marbles in his
playmate's hand, would imitate the expression of his adversary's face
and see what thoughts arose in his mind. The paraphernalia of work were
likely to induce the proper spirit. When all his fellow Parisians were
in bed, Balzac, gathering the voluminous white folds about his sturdy
person, and glancing at the coffee stewing on the fire, sat down to his
writing-table with the conviction of an alderman sitting down to a city
dinner. There could never be a doubt in his mind as to the purpose for
which he was there.
[Balzac's prose.]
Public-domain text, read in full here on John Shaqi.
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