A History of Story-telling: Studies in the development of narrativeRansome, Arthur
History
A History of Story-telling: Studies in the development of narrative
Ransome, Arthur
Fiction -- History and criticism; Narration (Rhetoric); Storytelling -- History
He was the son of a tinker, and a tinker himself, and saw his visions
as clearly as he saw his tin pans. His book is never opalescent with
the shifting colours of a vague mysticism. It is painted in tints as
sharp and bright and simple as Anglo-Saxon words. Bunyan had to throw
himself into no trance in order to watch the pilgrim's arrival at the
New Jerusalem. The Celestial City was as real to him as London, and
there seemed to him no need to describe it in a whisper. His eyes
were as childlike as those of the early painters, who clothed the
builders of the Tower of Babel in fifteenth-century Italian costume,
put a little bonnet on the head and a flying cloak about the shoulders
of Tobias, and set soft leather boots on the feet of the angel. The
whole of the _Pilgrim's Progress_ is contemporary with Mr. Pepys. 'Now
Christiana, if need was, could play upon the viol, and her daughter
Mercy upon the lute; so, since they were so merry disposed, she played
them a lesson, and Ready-to-halt would dance. So he took Despondency's
daughter, named Much-afraid, by the hand, and to dancing they went
in the road. True, he could not dance without one crutch in his
hand; but, I promise you, he footed it well. Also the girl was to be
commended, for she answered the music handsomely.' It might be Mr.
Pepys himself describing the frolic of some friends. And yet it was
the most natural, righteous thing in the world, since Great Heart had
killed Giant Despair, and Despondency and Much-afraid had just been
freed from the dungeons of Doubting Castle.
[The Fear of Life.]
It is characteristic of the English spirit that the greatest national
classic of piety should be written by a man whose relish for life was
in no way blunted by his thoughts of immortality. Bunyan had a fear of
life no less real than his fear of God, and loved both God and life the
better for fearing them. Men set capital letters to the Fear of God,
and there is a Fear of Life no less different from cowardice. Bunyan,
a brave man, imprisoned again and again for his beliefs, and more than
once in imminent danger of hanging, shows in a passage of his _Grace
Abounding_ this Fear of Life in a very glare of light. Bunyan had loved
bell-ringing, and, after he had come to consider it not the occupation
of a man whose profession was so perilous and serious as a Christian's,
he could not help going to the belfry to watch those whose scruples
still allowed them his favourite pastime.
Public-domain text, read in full here on John Shaqi.
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