A History of Story-telling: Studies in the development of narrativeRansome, Arthur
History
A History of Story-telling: Studies in the development of narrative
Ransome, Arthur
Fiction -- History and criticism; Narration (Rhetoric); Storytelling -- History
THERE are some men who seem epitomes of their periods, of all the
weaknesses, strengths, ideals and follies and wisdoms of their times.
All the tangled skeins of different movements seem embroidered into
the pattern of a face; and that face is theirs. We seek in them the
years in which they lived, and are never disappointed. Sir Philip
Sidney means the age of Elizabeth, Dr. Johnson the common-sense English
eighteenth century, Rousseau the stirring of revolutionary France,
Goethe the awakening of Germany. Of these men was Chateaubriand. He
was born before the storm and died after it. He gathered up the best
of the things that were before the revolution, and handed them on to
the men who, when the revolution had left a new France, were to make
that new country the centre of European literature. Rousseau and the
Romantics meet in him. He wrote when France, her eyes still bright and
wide after the sight of blood, was seeking in religion for one thing,
at least, that might be covered by the tossing waves of revolution and
yet survive. Christianity in his finest story is the rock on which
his lovers break themselves. And Christianity was the first earthwork
attacked before the revolution, and the first reoccupied afterwards.
Chateaubriand stands curiously in the midst of the opposing elements.
Like Byron he was a patrician and a fighter. He too would have died
for freedom. But whereas Byron fought, contemptuously sometimes, for
revolutionaries, Chateaubriand fought against them.
When some of the ragged ones marched joyously down his street carrying
the heads of two of their enemies bleeding on the ends of pikes, he
cried at them, 'Brigands! Is this what you mean by Liberty?' and
declared that if he had had a gun he would have shot them down like
wolves. And if Chateaubriand had not been an aristocrat, he could never
so well have represented his times. He would have fought and written
as a revolutionist, instead of caring passionately for one party, and
pinning to it the ideals of the other, so claiming both for his own.
Everything that could make him one with his period and country was his.
After a childhood of severe repression, he had seen the fall of the
Bastille, and then sought liberty and the North-West Passage, coming
back from America to find the revolution successful against himself.
Could any man's life be so perfect an analogy of the meteor-like
progress of France? France also sought liberty and a North-West
Passage, quicker than all others; France also was to return and find
the ground aquiver beneath her feet.
[Illustration: JEAN JACQUES ROUSSEAU]
[Jean-Jacques Rousseau.]
Public-domain text, read in full here on John Shaqi.
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