A History of Sumer and Akkad: An account of the early races of Babylonia from prehistoric times to the foundation of the Babylonian monarchyKing, L. W. (Leonard William)
History
A History of Sumer and Akkad: An account of the early races of Babylonia from prehistoric times to the foundation of the Babylonian monarchy
King, L. W. (Leonard William)
Akkadians; Babylonia -- History; Sumerians
Behind the king is a little figure intended for the royal cup-bearer,
Anita, and facing him are five of his children. It is usually held
that the first of these figures, who bears the name of Lidda and is
clothed in a more elaborate dress than the other four, is intended for
the king's eldest son.[45] But in addition to the distinctive dress,
this figure is further differentiated from the others by wearing long
hair in place of having the head shaved. In this respect it bears
some resemblance to an archaic statuette, which appears to be that
of a woman;[46] and the sign attached to Lidda's name, engraved upon
the stone, is possibly that for "daughter," not "son." It is thus
not unlikely that we should identify the figure with a daughter of
Ur-Ninâ. The other figures in the row are four of the king's sons,
named Akurgal, Lugal-ezen, Anikurra and Muninnikurta. A curious point
that may be noted is that the height of these figures increases as
they recede from the king. Thus the first of the small figures, that
of Akurgal, who succeeded Ur-Ninâ upon the throne, is represented as
smaller than his brothers, and it has been suggested in consequence
that he was not the king's eldest son,[47] a point to which we will
return later. In the scene sculptured upon the lower half of the plaque
the king is represented as seated upon a throne and raising in his
right hand a cup from which he appears to be pouring a libation. We may
probably see in this group a picture of the king dedicating the temple
after the task of building was finished. The inscription records the
fact that he had brought wood from the mountains, doubtless employed
in the construction of the temples, a detail which emphasises the
difficulties he had overcome. The cup-bearer who stands behind the
throne is in this scene, not Anita, but Sagantug, while the figure
facing the king is a high official named Dudu, and to the left of Dudu
are three more of the king's sons named Anunpad, Menudgid, and Addatur.
[Illustration: Fig 43.--Early Sumerian figure of a women, showing the
Sumerian dress and the method of doing the hair.--_Déc., pl_ 1 _ter_,
No 3.]
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