Of the last scene that is preserved upon the Stele of the Vultures very little remains upon the fragments recovered, but this is sufficient to indicate its character. Eannatum was here portrayed deciding the fate of prisoners taken in battle. Of his figure only the left hand is preserved; it is grasping a heavy spear or lance by the end of the shaft as in the second register. The spear passes over the shaven heads of a row of captives, and at the end of the row its point touches the head of a prisoner of more exalted rank, who faces the king and raises one hand in token of submission. A fragment of inscription behind the head of this captive gives the name "Al-[...], King of Kish," and it may be concluded with considerable probability that these words form a label attached to the figure of the chief prisoner, like the labels engraved near the head of Eannatum in the two upper registers, which describe him as "Eannatum, champion of the god Ningirsu." There is much more to be said for this explanation than for the possibility that the words formed part of an account of a war waged by Eannatum against Kish, which has been added to the record of his war with Umma. According to such a view the stele must have been larger than we have supposed, since it would have included additional registers at the base of the reverse for recording the subsequent campaigns and their illustration by means of reliefs. The monument would thus have been erected to commemorate all the wars of Eannatum. But that against Umma would be the most important, and its record, copied directly from the text of the treaty, would still occupy three quarters of the stone. Moreover, we should have to suppose that the scribe slavishly copied the text of the stele of delimitation even down to its title, and made no attempt to assimilate with it the later records, which we must assume he added in the form of additional paragraphs. Such a supposition is extremely unlikely, and it is preferable to regard the words behind the prisoner's head as a label, and to conclude that the connected text of the stele ended, as it appears to do, with the name and description of the stone, which is engraved as a sort of colophon upon the upper part of the field in the fourth register.