A History of Sumer and Akkad: An account of the early races of Babylonia from prehistoric times to the foundation of the Babylonian monarchyKing, L. W. (Leonard William)
History
A History of Sumer and Akkad: An account of the early races of Babylonia from prehistoric times to the foundation of the Babylonian monarchy
King, L. W. (Leonard William)
Akkadians; Babylonia -- History; Sumerians
To the time of the kings of Akkad must also be assigned the Stele of
Victory, two fragments of which have been found at Tello, sculptured
on both faces with bas-reliefs, arranged in registers, above an
inscription.[82] The sculptor has represented his battle-scenes as
a series of hand-to-hand conflicts, and here we see bearded Semitic
warriors, armed with spear, axe, or bow and arrows, smiting their
enemies. The inscription is very broken, but enough is preserved to
indicate that it enumerates a number of estates or tracts of land,
some, if not all of them, situated in the neighbourhood of Lagash,
which have been assigned to different high officials. The summary at
the end of the text is partly preserved, and states that the list
comprised seventeen chief cities and eight chief places, and it ends
with a record that may probably be restored to read: "Besides Akkad,
the kingdom, which he had received, [was the patesiate of Lagash given
to ...]." It would thus seem that the stele was set up in Lagash to
commemorate its acquisition by a king of Akkad, who at the same time
rewarded his own courtiers and officials by assigning them parts of the
conquered territory. The name of the king is wanting in the text, and
we must depend on conjecture to decide the reign or period to which it
belongs.
A comparison of the monument with Narâm-Sin's Stele of Victory will
show that, though the attitudes of the figures are natural and
vigorous, the sculptor does not display quite the same high qualities
of composition and artistic arrangement. This fact might conceivably
be employed in favour of assigning the stele to a period of decadence
when the dynasty of Shar-Gani-sharri may have fallen before the onset
of some fresh wave of Semitic hordes. But the impression given by the
monument is that of a vigorous art struggling towards perfection
rather than the rude imitation of a more perfect style, and it is
probable that we must date it in an early, rather than in a late,
period during this epoch of Semitic domination.[83]
The reference to "Akkad, the kingdom," in the summary at the end of the
text, renders it difficult to assign it to an early king of Kish such
as Sharru-Gi, for we should then have to assume that Shar-Gani-sharri's
dynasty was not the earliest one to rule in Akkad, and
[Illustration: Fig. 60. Portion of a Stele of Victory of a king of
Akkad, sculptured in relief with battle scenes; from Tello.--In the
Louvre: Cat. No. 21.]
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