A History of Sumer and Akkad: An account of the early races of Babylonia from prehistoric times to the foundation of the Babylonian monarchyKing, L. W. (Leonard William)
History
A History of Sumer and Akkad: An account of the early races of Babylonia from prehistoric times to the foundation of the Babylonian monarchy
King, L. W. (Leonard William)
Akkadians; Babylonia -- History; Sumerians
The important place which ritual and worship occupied in the national
life of the Sumerians is well illustrated by these records of the
building and consecration of a single temple. Gudea's work may have
been far more elaborate than that of his predecessors, but the general
features of his plan, and the ceremonies and rites which he employed,
were doubtless fixed and sanctified by long tradition. His description
of Ningirsu's _entourage_ proves that the Sumerian city-god was
endowed with all the attributes and enjoyed all the privileges of the
patesi himself, his human counterpart and representative. His temple
was an elaborate structure, which formed the true dwelling-place of
its owner and his divine household; and it included lodgings for the
priests, treasure-chambers, storehouses, and granaries, and pens and
stabling for the kids, sheep and cattle destined for sacrifice. It is
interesting to note that in the course of building Gudea came across
a stele of Lugal-kisalsi, an earlier king of Erech and Ur.[26] From
the name which he gave it we may infer that he found it in Girnun,
which was probably one of the shrines or chapels attached to E-ninnû;
and he carefully preserved it and erected it in the forecourt of
the temple. In the respect which he showed for this earlier record,
he acted as Nabonidus did at a later day, when he came across the
foundation-inscriptions of Narâm-Sin and Shagarakti-Buriash in the
course of his rebuilding of E-babbar and E-ulmash, the temples of
Shamash and of the goddess Anunitu.
[Illustration: SEATED FIGURE OF GUDEA, PATESI OF SHIRPURLA. _In the
Louvre; photo. by Messrs. Mansell & Co._]
Public-domain text, read in full here on John Shaqi.
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