A History of the Cries of London, Ancient and ModernHindley, Charles
History
A History of the Cries of London, Ancient and Modern
Hindley, Charles
Cries -- England -- London; London (England) -- Social life and customs
We frequently meet with the pieman in old prints; and in Hogarth's "March
to Finchley," there he stands in the very centre of the crowd, grinning
with delight at the adroitness of one robbery, while he is himself the
victim of another. We learn from this admirable figure by the greatest
painter of English life, that the pieman of the last century perambulated
the streets in professional costume; and we gather further, from the burly
dimensions of his wares that he kept his trade alive by the laudable
practice of giving "a good pennyworth for a penny." Justice compels us to
observe that his successors of a later generation have not been very
conscientious observers of this maxim.
[Illustration: HOGARTH'S PIEMAN.]
[Illustration: NICE NEW! NICE NEW!
All hot! All Hot Hot! All Hot!
_Here they are, two sizes bigger than last week._]
At this date there was James Sharpe England, a noted flying pieman, who
attended all the metropolitan festive gatherings; he walked about hatless,
to sell his savoury wares, with his hair powdered and tied _en queue_, his
dress neat, apron spotless, jesting wherever he went, with a mighty voice
in recommendation of the puddings and pies, which, for the sake of greater
oddity he sometimes carried on a wooden platter.
[Illustration: JAMES SHARPE ENGLAND, _The Flying Pieman_.]
The London pieman, as he takes his walks abroad, makes a practice of
"looking in" at all the taverns on his way. Here his customers are found
principally in the tap-room. "Here they are, all 'ot!" the pieman cries,
as he walks in; "toss or buy! up and win 'em!" For be it known to all whom
it may concern, the pieman is a gambler, both from inclination and
principle, and will toss with his customers, either by the dallying
shilly-shally process of "best five in nine," or "best two in three," or
the desperate dash of "sudden death!" in which latter case the first toss
decides the matter, _viz_:--a pie for a penny, or your penny gone for
nothing, but he invariably declines the mysterious process of "odd man,"
not being altogether free from suspicion on the subject of collusion
between a couple of hungry, and not over honestly inclined customers.
Of the "stuff" which pie-dealers usually make their wares, much has been
sung and said, and in some neighbourhoods the sight of an approaching
pieman seems to get about an immediate desire for imitating the harmless
cat and its "Mee-yow," or the "Bow-wow-wow!" of the dog. And opprobrious
epithets are hurled at the piemen as they parade the streets and alleys,
and even kidnapping has been slyly hinted at, for the mother of Tom
Cladpole, finding her son so determined to make a "Jurney to
Lunnun"--least he should die a fool, tries to frighten the boy out of his
fixed intention by informing him in pure Sussex dialect that:--
"Besides, dey kidnap people dere,
Ah! ketch um by supprize,
An send um off where nub'dy knows,
Or _baak um up in pies_."
Public-domain text, read in full here on John Shaqi.
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