A History of the Cries of London, Ancient and ModernHindley, Charles
History
A History of the Cries of London, Ancient and Modern
Hindley, Charles
Cries -- England -- London; London (England) -- Social life and customs
This singular man had a small coal shop at the corner of a passage in
Aylesbury-street, Clerkenwell-green, and his concert-room! which was over
that, could only be reached by stairs from the outside of the house. The
facetious Ned Ward, confirms this statement, thus:--
"Upon Thursdays repair
To my palace, and there
Hobble up stair by stair;
But I pray ye take care--
That you break not your shins by a stumble."
[Illustration: THOMAS BRITTON, _The Musical Small Coal Man_.]
Britton was buried in the church-yard of Clerkenwell, being attended to
the grave by a great concourse of people, especially by those who had been
used to frequent his concerts.
To resume our argument, we may ask what chance would an aged man now have
with his flattering solicitation of "_Pretty Pins, pretty Women_?" and the
musical distich:--
"Three-rows-a-penny, pins,
Short whites, and mid-de-lings!"
Every stationer's or general-shop can now supply all the "_Fine
Writing-ink_," wanted either by clerks or authors. There is a grocer's
shop, or co-operative store at every turn; and who therefore needs him who
cried aloud "_Lilly white Vinegar, three-pence a quart_?" When everybody,
old and young, wore wigs--when the price for a common one was a guinea,
and a journeyman had a new one every year; when it was an article in every
city apprentice's indenture that his master should find him in "One good
and sufficent wig, yearly, and every year, for, and during, and unto the
expiration of the full end and term of his apprenticeship"--then, a
wig-seller made his stand in the street, or called from door to door, and
talked of a "_Fine Tie, or a fine Bob-wig sir?_" Formerly, women cried
"_Four pair for a shilling, Holland Socks_," also "_Long Thread Laces,
long and strong_," "_Scotch or Russian Cloth_," "_Buy any Wafers or Wax_."
"_London's Gazette, here?_" The history of cries is a history of social
changes. Many of the _working_ trades, as well as the vendors of things
that can be bought in every shop, are now nearly banished from our
thoroughfares. "_Old Chairs to mend_," or "_A brass Pot or an iron Pot to
mend?_" still salutes us in some retired suburb; and we still see the
knife-grinder's wheel; but who vociferates "_Any work for John Cooper?_"
The trades are gone to those who pay scot and lot. What should we think of
prison discipline, now-a-days, if the voice of lamentation was heard in
every street, "_Some Bread and Meat for the poor Prisoners; for the
Lord's sake, pity the Poor_?" John Howard put down this cry. Or what
should we say of the vigilance of excise-officers if the cry of "_Aqua
Vitæ_" met our ears? The Chiropodist has now his guinea, a country villa,
and railway season ticket; in the old days he stood at corners, with knife
and scissors in hand, crying "_Corns to pick_." There are some occupations
of the streets, however, which remain essentially the same, though the
form be somewhat varied.
Public-domain text, read in full here on John Shaqi.
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