A History of the Cries of London, Ancient and ModernHindley, Charles
History
A History of the Cries of London, Ancient and Modern
Hindley, Charles
Cries -- England -- London; London (England) -- Social life and customs
At eight o'clock this morning, Courvoisier ascended the steps leading
to the gallows, and advanced, without looking round him, to the centre
of the platform, followed by the executioner and the ordinary of the
prison, the Rev. Mr Carver. On his appearance a few yells of
execration escaped from a portion of the crowd, but the general body
of the people, great as must have been their abhorrence of his
atrocious crime, remained silent spectators of the scene which was
passing before their eyes. The prisoner's manner was marked by an
extraordinary appearance of firmness. His step was steady and
collected, and his movements free from the slightest agitation or
indecision. His countenance indeed was pale, and bore the trace of
much dejection, but it was at the same time calm and unmoved. While
the executioner was placing him on the drop he slightly moved his
hands (which were tied in front of him, and strongly clasped one
within the other) up and down two or three times, and this was the
only visible symptom of any emotion or mental anguish which the
wretched man endured. His face was then covered with the cap, fitting
so closely as not to conceal the outlines of his countenance, the
noose was then adjusted. During this operation he lifted up his head
and raised his hands to his breast, as if in the action of fervent
prayer. In a moment the fatal bolt was withdrawn, the drop fell, and
in this attitude the murderer perished. He died without any violent
struggle. In two minutes after he had fallen his legs were twice
slightly convulsed, but no further motion was observable, excepting
that his raised arms, gradually losing their vitality, sank down from
their own lifeless weight.
After hanging one hour, the body was cut down and removed within the
prison.
AFFECTING COPY OF VERSES.
Attention give, both old and young,
Of high and low degree,
Think while this mournful tale is sung,
Of my sad misery.
I've slain a master good and kind,
To me has been a friend,
For which I must my life resign,
My time is near an end.
Oh hark! what means that dreadful sound?
It sinks deep in my soul;
It is the bell that sounds my knell,
How solemn is the toll.
See thousands are assembled
Around the fatal place,
To gaze on my approaching,
And witness my disgrace.
There many sympathising hearts,
Who feel another's woe,
Even now appears in sorrow,
For my sad overthrow.
Think of the aged man I slew,
Then pity's at an end,
I robb'd him of property and life,
And the poor man of a friend.
Public-domain text, read in full here on John Shaqi.
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