Wilkes was well advised in keeping out of England. He had done his part. The decisions of Pratt in the Court of Common Pleas, the decisions in the Guildhall, had conferred a permanent benefit upon the English citizen. But {68} Wilkes was not bound to put himself into the power of his enemies in order to establish the authorship of the "Essay on Woman." His enemies took as much advantage as they could of his absence. He was found guilty by the Court of King's Bench of having reprinted the number Forty-five and of having written the "Essay on Woman." As he did not appear to receive his sentence, he was promptly outlawed for contumacy. Thus a Ministry wise in their own conceit believed that they had got rid of Wilkes for good and all. They did not note, or if they noted did not heed, that the favorite sign of ale-houses throughout the country was the head of Wilkes. They were indifferent to the fact that Wilkes had come to be regarded in all directions as the champion of popular liberty. All they knew, all that they cared to know, was that Wilkes was in exile, and was like enough to die in exile. Even the success of "The Beggar's Opera" taught them nothing, and yet the success of "The Beggar's Opera" was a significant lesson. "The Beggar's Opera" was revived at Covent Garden while the excitement about Wilkes was at its height, and its audiences were as ready to read in political allusions between the lines as they had been at the time of its first production. The line "That Jemmy Twitcher should peach on me I own rather surprises me" was converted at once into an innuendo at the expense of Lord Sandwich, to whom the name Jemmy Twitcher was immediately applied by the public at large, almost to the disuse, so Horace Walpole tells us, of his own title. [Sidenote: 1764--Death of Hogarth and Churchill]