The author of "Tristram Shandy" came to town, and was received with more than Roman triumph. Wealth, wit, genius, nobility, thronged his door, sought his friendship, proffered favors. Sterne revelled in this new life. London offered him a cup of the most intoxicating quality, and he drank and drank again of its sparkling fountain without ever quenching his thirst for popularity, for flattery, for success. Flattery, popularity, success--all three he had in plenty for eight resplendent years. Volume after volume of "Tristram Shandy" wooed and won public applause. Sterne travelled abroad and found the same adulation in other capitals of Europe that he had enjoyed in London. When the popularity of "Shandy" {302} appeared to be on the wane, and the fame of its author to be dwindling, he whipped it up again with the "Sentimental Journey." We may finish his story by anticipation. He died one of the most tragic deaths recorded in the necrology of genius. He died in London on March 18, 1768, and he died alone. The wish he had expressed of expiring at an inn untroubled by the presence of mourning friends was grimly gratified. In lonely lodgings, beneath the speculative gaze of a memoir-writing footman and the care of hired hands, Sterne gasped out the words, "Now it is come!" and so died. He was buried almost unattended, and his body was stolen from its new-made grave by resurrectionists, and recognized, when half-dissected, on an anatomist's table by a horrified friend. So the story goes--not, indeed, absolutely authentic, but certainly not absolutely without credit--the melancholy conclusion of an ill-spent life and a splendid, ill-used intellect. For his conduct to his wife his memory has been scourged by Thackeray and by his latest biographer, Mr. H. D. Traill. It cannot be too severely scourged. He took her youth, he took her money, and he tired of her, and was untrue to her, and spoke against her in the dastardly letters he wrote to his friends and in which he has gibbeted himself to all time as a hideous warning, a sort of sentimental scarecrow. "As to the nature of Sterne's love affairs," says Mr. Traill, "I have come, though not without hesitation, to the conclusion that they were most, if not all of them, what is called, somewhat absurdly, platonic. . . . But as I am not one of those who hold that the conventionally 'innocent' is the equivalent of the morally harmless in this matter, I cannot regard the question as worth any very minute investigation. I am not sure that the habitual male flirt, who neglects his wife to sit continually languishing at the feet of some other woman, gives much less pain and scandal to others or does much less mischief to himself and the objects of his adoration than the thorough-going profligate."