A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
The history of "little John of Saintre and the Lady of the Beautiful
Cousins"[86] has not struck all judges, even all English judges,[87] in
the same way. Some have thought it mawkish, rhetorical, clumsily
imitative of the manners of dead chivalry, and the like. Others,
admitting it to be a late and "literary" presentation of the stately
society it describes, rank it much higher as such. Its author was a
bitter enough satirist if he wrote, as he most probably did, the famous
_Quinze Joyes de Mariage_, one of the most unmitigated pieces of
unsweetened irony--next to _A Tale of a Tub_ and _Jonathan Wild_--to be
found in literature; but not couched in narrative form. The same quality
appears of course in the still more famous farce of _Pathelin_, which
few good judges deny very stoutly to him, though there is little
positive evidence. In the _Cent Nouvelles Nouvelles_ again, as has been
said, he certainly had a hand, and possibly a great hand, as well as
perhaps elsewhere. The satiric touch appears even in _Petit Jehan_
itself; for, after all the gracious courtship of the earlier part, the
_dame des belles Cousines_, during an absence of her lover on service,
falls a by no means, as it would seem, very reluctant victim to the
vulgar viciousness of a rich churchman, just like the innominatas of the
_nouvelles_ themselves. But the earlier part _is_ gracious--a word
specifically and intensively applicable to it. It may be a little
unreal; does not the secondary form and sense which has been fastened
upon reality--"realism"--show that, in the opinion of many people at
least, reality is _not_ gracious? The Foozles of this world who "despise
all your kickshaws," the Dry-as-dusts who point out--not in the least
seeing the real drift of their argument--that the fifteenth century was,
in the greater part of Europe if not the whole, at a new point of morals
and manners, may urge these things. But the best part of _Petit Jehan_
remains a gracious sort of dream for gracious dreamers--a picture of a
kind of Utopia of Feminism, when Feminism did not mean votes or anything
foolish, but only adoration of the adorable.
[Sidenote: _Jehan de Paris._]
Public-domain text, read in full here on John Shaqi.
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