A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
dappled mare, whose exploits in field and town were so alarming, and
who had the bells of Notre Dame hung round her neck, till they were
replaced rather after than because of the remonstrance of Master Janotus
de Bragmardo; how for a time, and under Sorbonic direction, he wasted
that time in short and useless study, with long intervals of
card-playing, sleeping, etc. etc., and of course a great deal of eating
and drinking, "not as he ought and as he ought not"--all this leads up
to the moment when the sage Ponocrates takes him again in hand, and
institutes a strenuous drill in manners, studies, manly exercises, and
the like, ending with one of those extraordinary flashes of perfect
style and noble meaning which it pleases Rabelais to emit from what some
call his "dunghill" and others his "marine-store."
Also they prayed to God the Creator, adoring Him, and
solemnly repledging to Him their faith, and glorifying Him
for His boundless goodness; while, giving Him thanks for all
time past, they commended themselves to His divine mercy for
all the future. This done, they turned to their rest.
[Sidenote: The war.]
It is only after this serious training that the first important division
of what may be called the action begins--the "War of the Cakes," in
which certain outrageous bakers, subjects of King Picrochole of Lerne,
first refuse the custom of the good Grandgousier's shepherds, and then
violently assault them, the incident being turned by the choleric
monarch into a _casus belli_ against the peaceful one. Invasion, the
early triumph of the aggressor, the triumphant appearance of the
invincible Friar John, and the complete turning of the tables by the
advent of Gargantua and his terrible mare, follow each other in rapid
and brilliant telling, and perhaps no parts of the book are better
known. The extraordinary felicity with which Rabelaisian irony--here
kept in quieter but intenser activity than almost anywhere else--seizes
and renders the common causes, excuses, manners, etc., of war can never
have escaped competent readers; but it must have struck more persons of
late than perhaps at any former time. It would be impertinent to
particularise largely; but if the famous adaptation and amplification of
the old Pyrrhus story in the counsel of Spadassin and Merdaille to
Picrochole were printed in small type as the centre of a fathom-square
sheet, the whole margin could be more than filled with extracts, from
German books and newspapers, of advice to Kaiser Wilhelm II. Nor is
there anything, in literature touching history, where irony has bitten
more deeply and lastingly into Life and Time than the brief record of
Picrochole's latter days after his downfall.
Public-domain text, read in full here on John Shaqi.
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