A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
attention, and to do fair justice, to this vast and curious wilderness
of delights.[150]
[Sidenote: The _Grand Cyrus_.]
[Sidenote: Its preface to Madame de Longueville.]
To turn from the Pastoral to the Heroic, the actual readers, English or
other, of _Artamene ou le Grand Cyrus_[151] in late years, have probably
been reckonable rather as single spies (a phrase in this connection of
some rather special appropriateness) than in battalions. And it is to be
feared that many or most, if not nearly all of them, have opened it with
little expectation of pleasure. The traditional estimates are dead
against it as a rule; it has constantly served as an example--produced
by wiseacres for wiseacres--of the _un_wisdom of our ancestors; and,
generous as were Sir Walter's estimates of all literature, and
especially of his fellow-craftsmen's and craftswomen's work, the lively
passage in _Old Mortality_ where Edith Bellenden's reference to the book
excites the (in the circumstances justifiable) wrath of the
Major--perhaps the only _locus_ of ordinary reading that touches
_Artamene_ with anything but vagueness--is not entirely calculated to
make readers read eagerly. But on turning honestly to the book itself,
it is possible that considerable relief and even a little astonishment
may result. Whether this satisfaction will arise at the very dedication
by that vainglorious and yet redoubtable cavalier, Georges de Scudery,
in which he characteristically takes to himself the credit due mainly,
if not wholly, to his plain little sister Madeleine, will depend upon
taste. It is addressed to Anne Genevieve de Bourbon, Duchess of
Longueville, sister of Conde, and adored mistress of many noteworthy
persons--the most noteworthy perhaps being the Prince de Marcillac,
better known, as from his later title, as Duc de la Rochefoucauld, and
a certain Aramis--not so good a man as three friends of his, but a very
accomplished, valiant, and ingenious gentleman. The blue eyes of Madame
de Longueville (M. de Scudery takes the liberty to mention specially
their charm, if not their colour) were among the most victorious in that
time of the "raining" and reigning influence of such things: and somehow
one succumbs a little even now to her as the Queen of that bevy of fair,
frail, and occasionally rather ferocious ladies of the Fronde feminine.
(The femininity was perhaps most evident in Madame de Chevreuse, and the
ferocity in Madame de Montbazon.) Did not Madame de Longueville--did not
they all--figuratively speaking, draw that great philosopher Victor
Cousin[152] up in a basket two centuries after her death, even as had
been done, literally if mythically, to that greater philosopher,
Aristotle, ages before? But the governor of Our Lady of the Guard[153]
says to her many of these things which that very Aramis delighted to
hear (though not perhaps from the lips of rivals) and described,
rebuking the callousness of Porthos to them, as fine and worthy of being
said by gentlemen.
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