A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
Again, one sees before long that of one priceless quality--a sense of
humour--we shall find, though there is a little mild wit, especially in
the words of the ladies named in the note, no trace in the book, but a
"terrible _minus_ quantity." I do not know that the late Sir William
Gilbert was a great student of literature--of classical literature, to
judge from the nomenclature of _Pygmalion and Galatea_ mentioned above,
he certainly was not. But his eyes would surely have glistened at the
unconscious and serious anticipation of his own methods at their most
Gilbertian, had he ever read pp. 308 _sqq._ of this first volume. Here
not only do Cyrus and a famous pirate, by boarding with irresistible
valour on each side, "exchange ships," and so find themselves at once to
have gained the enemy's and lost their own, but this remarkable
manoeuvre is repeated more than twenty times without advantage on
either side--or without apparently any sensible losses on either side.
From which it would appear that both contented themselves with displays
of agility in climbing from vessel to vessel, and did nothing so
impolite as to use their "javelins, arrows, and cutlasses" (of which,
nevertheless, we hear) against the persons of their competitors in such
agility on the other side. It did come to an end somehow after some
time; but one is quite certain that if Mr. Crummles had had the means of
presenting such an admirable spectacle on any boards, he never would
have contented himself without several encores of the whole twenty
operations.
An experienced reader, therefore, will not need to spend many hours
before he appreciates pretty thoroughly what he has to expect--of good,
of bad, and of indifferent--from this famous book. It is, though in a
different sense from Montaigne's, a _livre de bonne foi_. And we must
remember that the readers whom it directly addressed expected from books
of this kind "pastime" in the most literal and generous, if also
humdrum, sense of the word; noble sentiments, perhaps a little learning,
possibly a few hidden glances at great people not of antiquity only. All
these they got here, most faithfully supplied according to their demand.
[Sidenote: Extracts--the introduction of Cyrus to Mandane.]
Probably nothing will give the reader, who does not thus read for
himself, a better idea of the book than some extract translations,
beginning with Artamene's first interview with Mandane,[161] going on to
his reflections thereon, and adding a perhaps slightly shortened version
of the great fight recounted later, in which again some evidence of the
damaging absence of humour, and some suggestions as to the originals of
divers well-known parodies, will be found. (It must be remembered that
these are all parts of an enormous _recit_ by Chrisante, one of
Artamene's confidants and captains, to the King of Hircania, a monarch
doubtless inured to hardships in the chase of his native tigers, or
requiring some sedative as a change from it.)
Public-domain text, read in full here on John Shaqi.
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