A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
The first volume of the Second Part returns to the main story, or rather
the main series of _recits_; for, Chrisante being not unnaturally
exhausted after talking for a thousand pages or so, Feraulas, another of
Artamene's men, takes up the running. The prisoners are let out, and
Mandane reconciles them, after which--as another but later contemporary
remarks (again of other things, but probably with some reminiscence of
this)--they become much more mortal enemies than before. The
reflections and soliloquies of Artamene recur; but a not unimportant,
although subordinate, new character appears--not as the first example,
but as the foremost representative, in the novel, of the great figure of
the "confidante"--in Martesie, Mandane's chief maid of honour. Nobody,
it is to be hoped, wants an elaborate account of the part she plays, but
it should be said that she plays it with much more spirit and
individuality than her mistress is allowed to show. Then, according to
the general plan of all these books, in which fierce wars and faithful
loves alternate, there is more fighting, and though Artamene is
victorious (as how should he not be, save now and then to prevent
monotony?) he disappears and is thought dead. Of course Mandane cries,
and confesses to the confidante, being entirely "finished" by a very
exquisite letter which Artamene has written before going into the
doubtful battle. However, he is (yet once more, of course) not dead at
all. What (as that most sagacious of men, the elder Mr. Weller, would
have said)'d have become of the other seventeen volumes if he had been?
There is one of the _quiproquos_ or misunderstandings which are as
necessary to this kind of novel as the flirtations and the fisticuffs,
brought about by the persistence of an enemy princess in taking Artamene
for her son Spithridates;[166] but all comes right for the time, and the
hero returns to his friends. The plot, however, thickens. An accident
informs Artamene that Philidaspes is really Prince of Assyria, sure to
become King when his mother, Nitocris, dies or abdicates, and that,
being as he is, and as Artamene knows already, desperately in love with
Mandane, he has formed a plot for carrying her off. The difficulties in
the way of preventing this are great, because, though the hero is
already aware that he is Cyrus, it is for many reasons undesirable to
inform Cyaxares of the fact; and at last Philidaspes, helped by the
traitor Aribee (_v. sup._), succeeds in the abduction, after an
interlude in which a fresh Rival, with a still larger R, the King of
Pontus himself, turns up; and an immense episode, in which Thomyris,
Queen of Scythia, appears, not yet in her more or less historical part
of victress of Cyrus. She is here only a young sovereign, widowed in her
earliest youth, extremely beautiful (see a portrait of her _inf._), who
has never yet loved, but who falls instantly in love with Cyrus himself
(when he is sent to her court), and is rather a formidable person to
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