A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
For the present, however, only discomfiture, not death, awaits him. The
Medes blockade Babylon to recover their princess; it suffers from
hunger, and Philidaspes, with Mandane and the chivalrous Sacian Prince
Mazare, whom we have heard of before, escapes to Sinope. Then the events
recorded in the very beginning happen, and Mandane, after escaping the
flames of Sinope through Mazare's abduction of her by sea, and suffering
shipwreck, falls into the power of the King of Pontus. This calls a halt
in the main story; and, as before, a "Troisieme Livre" consists of
another huge inset--the hugest yet--of seven hundred pages this time,
describing an unusually, if not entirely, independent subject--the
loves and fates of a certain Philosipe and a certain Polisante. This
volume contains a rather forcible boating-scene, which supplies the
theme for the old frontispiece.
Refreshed as usual by this excursion,[168] the author returns (in vol.
v., bk. i., chap. iii.) to Cyrus, who is once more in peril, and in a
worse one than ever. Cyaxares, arriving at Sinope, does not find his
daughter, but does discover that Artamene, whom he does not yet know to
be Cyrus and heir to Persia, is in love with her. Owing chiefly to the
wiles of a villain, Metrobate, he arrests the Prince, and is on the
point of having him executed, despite the protests of the allied kings.
But the whole army, with the Persian contingent at its head, assaults
the castle, and rescues Cyrus, after the traitor Metrobate has tried to
double his treachery and get Cyaxares assassinated. Nobody who remembers
the _Letter of Advice_ already quoted will doubt what the conduct of
Cyrus is. He only accepts the rescue in order that he may post himself
at the castle gate, and threaten to kill anybody who attacks Cyaxares.
After this burst, which is really exciting in a way, we must expect
something more soporific. Martesie takes the place of her absent
mistress to some extent, and a good deal of what might be mistaken for
"Passerelle"[169] flirtation takes place, or would do so, if it were not
that Cyrus would, of course, die rather than pay attention to anybody
but Mandane herself, and that Feraulas, already mentioned as one of the
Faithful Companions, is detailed as Martesie's lover. She is, however,
installed as a sort of Vice-Queen of a wordy tourney between four
unhappy lovers, who fill up the rest of the volume with their stories of
"Amants _In_fortunes" (cf. the original title of the _Heptameron_),
dealing respectively with and told by--
(1) A lover who is loved, but separated from his mistress.
(2) One who is unloved.
(3) A jealous one.
(4) One whose love is dead.[170]
They do it moderately, in rather less than five hundred pages, and
Martesie sums up in a manner worthy of any Mistress of the Rolls,
contrasting their fates, and deciding very cleverly against the jealous
man.
Public-domain text, read in full here on John Shaqi.
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