the spirit which animated it, and almost persuaded the spectators that she was just about to walk and talk. There was even a touch of art in her face, and a certain haughtiness in her attitude which made her seem to scorn the captives chained beneath her feet: while the sculptor had so perfectly realised the indefinable freshness, tenderness, and _embonpoint_ of beautiful girls, that one almost knew her age. Then come two more startling events. A wicked Prince Phraortes bolts with the unwilling Araminta, and the King of Assyria (_alias_ Philidaspes) slips away in search of Mandane on his own account--two things inconvenient to Cyrus in some ways, but balancing themselves in others. For if it is unpleasant to have a very violent and rather unscrupulous Rival hunting the beloved on the one hand, that beloved's jealousy, if not cured, is at least not likely to be increased by the disappearance of its object. This last, however, hits Spithridates, who is, as it has been and will be seen, the _souffre-douleur_ of the book, much harder. And the double situation illustrates once more the extraordinary care taken in systematising--and as one might almost say _syllabising_--the book. It is almost impossible that there should not somewhere exist an actual syllabus of the whole, though, my habit being rather to read books themselves than books about them, I am not aware of one as a fact.[178] Another characteristic is also well illustrated in this context, and a further translated extract will show the curious, if not very recondite, love-casuistry which plays so large a part. But these French writers of the seventeenth century[179] did not know one-tenth of the matter that was known by their or others' mediaeval ancestors, by their English and perhaps Spanish contemporaries, or by writers in the nineteenth century. They were not "perfect in love-lore"; their _Liber Amoris_ was, after all, little more than a fashion-book in divers senses of "fashion." But let them speak for themselves: [Sidenote: The judgment of Cyrus in a court of love.]