A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
At the beginning of VII. ii. Cyrus is in the doldrums. Many of his
heroes have got their heroines--the personages of bygone
_histoires_--and are honeymooning and (to borrow again from Mr. Kipling)
"dancing on the deck." He is not. Moreover, the army, like all
seventeenth-century armies after victory and in comfortable quarters, is
getting rather out of hand; and he learns that the King of Pontus has
carried Mandane off to Cumae--not the famous Italian Cumae, home of the
Sibyl whom Sir Edward Burne-Jones has fixed for us, and of many
classical memories, but a place somewhere near Miletus, defended by
unpleasant marshes on land, and open to the sea itself, the element on
which Cyrus is weakest, and by which the endlessly carried off Mandane
may readily be carried off again. He sends about for help to Phoenicia
and elsewhere; but when, after a smart action by land against the town,
a squadron does appear off the port, he is for a time quite uncertain
whether it is friend or foe. Fortunately Cleobuline, Queen of Corinth, a
young widow of surpassing beauty and the noblest sentiments, who has
sworn never to marry again, has conceived a Platonic-romantic admiration
for him, and has sent her fleet to his aid. She deserves, of course, and
still more of course has, a _Histoire de Cleobuline_. Also the
inestimable Martesie writes to say that Mandane has been dispossessed of
her suspicions, and that the King of Pontus is, in the race for her
favour, nowhere. The city falls, and the lovers meet. But if anybody
thinks for a moment that they are to be happy ever afterwards,
Arithmetic, Logic, and Literary History will combine to prove to him
that he is very much mistaken. In order to make these two lovers happy
at all, not only time and space, but six extremely solid volumes would
have to be annihilated.
Public-domain text, read in full here on John Shaqi.
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