A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
student might have more excellently said, "claud the rives."
* * * * *
[Sidenote: General remarks on the book and its class.]
If the reader, having tolerated this long analysis (it is perhaps most
probable that he will _not_ have done so), asks what game one pretends
to have shown for so much expenditure or candle, it is, no doubt, not
easy to answer him without a fresh, though a lesser, trial of his
patience. You cannot "ticket" the _Grand Cyrus_, or any of its fellows,
or the whole class, with any complimentary short description, such as a
certain school of ancient criticism loved, and corresponding to our
modern advertisement labels--"grateful and comforting," "necessary in
every travelling bag," and the like. They are, indeed, as I have
endeavoured to indicate indirectly as well as directly, by no means so
destitute of interest of the ordinary kind as it has generally been the
fashion to think them. From the charge of inordinate length it is, of
course, impossible to clear the whole class, and _Artamene_ more
particularly.[188] Length "no more than reason" is in some judgments a
positive advantage in a novel; but this _is_ more than reason. I believe
(the _moi_, I trust, is not utterly _haissable_ when it is necessary)
that I myself am a rather unusually rapid, without being a careless or
unfaithful, reader; and that I have by nature a very little of that
faculty with which some much greater persons have been credited, of
being able to see at a glance whether anything on a page needs more
than that glance or not, a faculty not likely to have been rendered
abortive (though also not, I hope, rendered morbid) by infinite practice
in reviewing. I do not say that, even now, I have read every word of
this _Artamene_ as I should read every word of a sonnet of Shakespeare
or a lyric of Shelley, even as I should read every word of a page of
Thackeray. I have even skimmed many pages. But I have never found, even
in a time of "retired leisure," that I could get through more than
three, or at the very utmost four, of the twenty volumes or half-volumes
without a day or two of rest or other work between. On the other hand,
the book is not significantly piquant in detail to enable me to read
attentively fifty or a hundred pages and then lay it down.[189] You do,
in a lazy sort of way, want to know what happened--a tribute, no doubt,
to Mlle. Madeleine--and so you have to go on ploughing the furrow. But
several weeks' collar-work[190] is a great deal to spend on a single
book of what is supposed to be pastime; and the pastime becomes
occasionally one of doubtful pleasure now and then. In fact, it is, as
has been said, best to read in shifts. Secondly, there may, no doubt, be
charged a certain unreality about the whole: and a good many other
criticisms may be, as some indeed have been already, made without
injustice.
Public-domain text, read in full here on John Shaqi.
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