A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
In a certain sense, no doubt, the fairy tale may be said to be merely a
variety of the age-old _fabliau_ and _nouvelle_. But it is, for literary
purposes, a distinctly and importantly new variety--new not merely in
subject, even in the widest possible sense of that rather disputable
(or at least disputed) word, but in that _nescio quid_ between subject
and treatment for which I know no better term than the somewhat vague
one "atmosphere." It has the priceless quality of what may be called
good childishness; it gives not merely Fancy but Imagination the freest
play, and, till it has itself created one, it is free from any
convention. It continued, indeed, always free from those "previous"
conventions which are so intolerable. For it is constantly forgotten
that a convention in its youth is often positively healthy, and a
convention in the prime of its life a very tolerable thing. It is the
_old_ conventions which, as Mahomet rashly acknowledged about something
else (saving himself, however, most dexterously afterwards), cannot be
tolerated in Paradise. Moreover, besides creating of necessity a sort of
fresh dialect in which it had to be told, and producing a set of
personages entirely unhackneyed, it did an immense service by
introducing a sort of etiquette, quite different from the conventions
above noticed,--a set of manners, as it may almost be called, which had
the strongest and most beneficial influence--though, like all strong and
good things, it might be perverted--on fiction generally. In this all
sorts of nice things, as in the original prescription for what girls are
made of, were included--variety, gaiety, colour, surprise, a complete
contempt of the contemptible, or of that large part of it which contains
priggishness, propriety, "prunes, and prism" generally. Moreover (and
here I fear that the above promised abstinence from the contentious must
be for a little time waived) it confirmed a great principle of novel and
romance alike, that if you can you should "make a good end," as, _teste_
Romance herself, Guinevere did, though the circumstances were
melancholy.
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