A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
To Anne Claude Philippe de Tubieres de Grimoard de Pestels de Levi,
Comte de Caylus, one owes particular thanks, at least when one comes to
the history of _Le Prince Courtebotte_, after wrestling with the
_macedoine_ of orientalities just discussed. It is not, of course,
Perrault, and it is not the best Madame D'Aulnoy. But you are never "put
out" by it; the hero, if rather a hero of Scott in the uniform propriety
of his conduct, or of Virgil in his success, is not like Waverley,
partly a simpleton, nor like Aeneas, wholly a cad. One likes the
Princess Zibeline both before she had a heart and afterwards; it can be
very agreeable to know a nice girl in both states. Perhaps it was not
quite cricket of the good fairy to play that trick[239] on the
ambassador of King Brandatimor, but it was washed out in fair fight; and
King Biby and his people of poodles are delightful. One wonders whether
Dickens, who was better read in this kind of literature than in most,
consciously or unconsciously borrowed from Caylus one of his not least
known touches.[240]
[Sidenote: _Rosanie._]
In the next of the Caylus stories there is an Idea--the capital seems
due because the Count was a man of Science, as science (perhaps better)
went then, and because one or his other tales (not the best) is actually
called _Le Palais des Idees_. The idea of _Rosanie_ is questionable,
though the carrying of it out is all right. Two fairies are fighting for
the (fairy) crown, and the test is who shall produce the most perfect
specimen of the special fairy art of education of mortals. (I may, as a
_ci-devant_ member of this craft, be permitted to regret that the
business has been so largely taken over by persons who are neither
fairies in one sex, though there may be some exceptions here, nor
enchanters in the other, where exceptions are very rare indeed.) The
tutoress of the Princess Rosanie pursues her task, and pursues it
triumphantly, by dividing the child into twelve _interim_ personalities,
each of whom has a special characteristic--beauty, gentleness, vivacity,
discretion, and what not. At the close of the prescribed period they are
reunited, and their fortunate lover, who has hitherto been distracted
between the twelve _eidola_, is blessed with the compound Rosanie.
Although it is well known to be the rashest of things for a man to say
anything about women--although certainly sillier things have been said
by men about women than about any other subject, except, of course,
education itself--I venture to demur to the fairy method. Both _a
priori_ and from experience, I should say that unmixed Beauty would
become intolerably vain; that Discretion would grow into a hypocritical
and unpleasant prude; that Vivacity would develop into Vulgarity; and
that the reincarnation of the twelve would be one of the most
intolerable creatures ever known, if it were not that the impossibility
of the concentrated essences being united in one person, after
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