A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
[151] Some reasons will be given later for taking this first--not the
least being the juxtaposition with the _Astree_. The actual order of the
chief "Heroic" authors and books is as follows: Gomberville, _La
Caritee_, 1622; _Polexandre_, 1632; _Citheree_, 1640-42. _La
Calprenede_, _Cassandre_, 1642; _Cleopatre_, 1648; _Faramond_, 1662.
Mlle. de Scudery, _Ibrahim_, 1641; _Artamene_, 1649; _Clelie_, 1656;
_Almahide_, 1660.
[152] Cousin relieved his work on "The True, the Good, and the
Beautiful" not only with elaborate disquisitions on the ladies of the
Fronde who, though certainly beautiful were not very very good, but with
a long exposition of French society as revealed in the _Grand Cyrus_
itself.
[153] Scudery bore, and evidently rejoiced in, this sounding title,
which can never have had a titular to whom it was more appropriate. The
place seems to have been an actual fortress, though a small one, near
Marseilles.
[154] I blushed for my namesake when I found, some time afterwards, that
he had copied this unusual (save in German) feminisation of the sun from
Gomberville (_v. inf._ p. 240).
[155] That is classical education: in comparison with which "all others
is cagmaggers."
[156] I have wavered a little between adopting French or Greek forms of
names. But as the authors are not consistent, and as some of their more
fanciful compounds classicalise badly, I have finally decided to stick
to the text in every case, except in those of historical persons where
French forms such as "Pisistrate" would jar.
[157] Like Robina in _Mrs. Lirriper's Legacy_.
[158] There are ten parts, each divisible into two _volumes_ and three
books. There is also a division at the end of the fifth "part" and the
tenth volume, the first five (ten) having apparently been issued
together. The "parts" are continuously paged--running never, I think, to
less than 1000 pages and more than once to a little over 1400.
[159] Drama may have done harm here, if those dramatic critics who say
that you must never "puzzle the audience" are right. The happy
novel-reader is of less captious mood and mould: he trusts his author
and hopes his author will pull him through.
[160] Some exception in the way of occasional flashes may be made for
two lively maids of honour to be mentioned later, Martesie and Doralise.
[161] There is an immense "throw-back" after the Sinope affair, in which
the previous history of Artamene and the circumstances of Mandane's
abduction are recounted up to date--I hope that some readers at least
will not have forgotten the introduction of Lancelot to Guinevere. We
have here the Middle Age and the _Grand Siecle_ like philippines in a
nutshell.
[162] To understand the account, it must be remembered that the combat
takes place in a position secluded from the two armies and strictly
forbidden to lookers-on; also that it is to be absolutely _a outrance_.
Public-domain text, read in full here on John Shaqi.
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