A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
[242] Anybody who is curious as to this should look up the matter, as
may be done most conveniently in an _excursus_ of Napier's edition,
where my "friend of" [more than] "forty years," the late Mr. Mowbray
Morris, in a note to his own admirable one-volume "Globe" issue, thought
that Macaulay was "proved to be absolutely right." Morris, though his
published and signed writings were few, and though he pushed to its very
furthest the hatred of personal advertisement natural to most English
"_gentlemen_ of the press," was a man of the world and of letters in
most unusual combination; of a true Augustan taste both in criticism and
in composition; of wit and of _savoir vivre_ such as few possess. But,
like all men who are good for anything, he had some crazes: and one of
them was Macaulay. I own that I do not think all the honours were on T.
B. M.'s side in this mellay: but this is not the place to reason out the
matter. What is quite certain is that in this long-winded and mostly
trivial performance there is a great deal of intended, or at least
suggested, political satire. But Johnson, though he might well think
little of _Titi_, need not have despised the whole _Cabinet_ (or as he
calls it, perhaps using the real title of another issue,
_Bibliotheque_), and would not on another occasion. Indeed the
diary-notes in which the thing occurs are too much in shorthand to be
trustworthy texts.
[243] Pierre Francois Godard de Beauchamps seems to have been another
fair example of the half-scholarly bookmakers of the eighteenth century.
He wrote a few light plays and some serious _Recherches sur les Theatres
de France_ which are said to have merit. He translated the late and
coxcombical but not uninteresting Greek prose romance of _Hysminias and
Hysmine_, as well as that painful verse-novel, the _Rhodanthe and
Dosicles_ of Theodoras Prodromus: and he composed, under a pseudonym, of
course, a naughty _Histoire du Prince Apprius_ to match his good
_Funestine_. The contrasted ways and works of such bookmakers at various
times would make a not uninteresting essay of the Hayward type.
Public-domain text, read in full here on John Shaqi.
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